Items 1 – 20 of 64 shown.
| title |
composer |
artists/ensemble |
play |
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Affreschi caldi
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Robert Lombardo
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Dimitris Marinos, mandolin; Julia Bentley, mezzo-soprano; Paul Bowman, guitar; Alison Attar, harp |
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An den kleinen Radioapparat
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Hanns Eisler
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Stewart Miller, bass; Julia Bentley, mezzo-soprano; Ilya Levinson, piano; Peter Blagoev, violin; Hank Tausend, percussion; New Budapest Orpheum Society |
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And the Times Are Dark and Fearful
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Hanns Eisler
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Stewart Miller, bass; Julia Bentley, mezzo-soprano; Peter Blagoev, violin; Ilya Levinson, piano; Hank Tausend, percussion; New Budapest Orpheum Society |
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Aria Variata
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Robert Lombardo
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Czech National Symphony Orchestra; Paul Freeman, Conductor; Julia Bentley, mezzo-soprano |
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Ba'a M'nucha
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Kurt Weill
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Julia Bentley, mezzo-soprano; Stewart Miller, bass; Peter Blagoev, violin; Ilya Levinson, piano; Hank Tausend, percussion; New Budapest Orpheum Society |
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Banu
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Aaron Copland
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Julia Bentley, mezzo-soprano; Stewart Miller, bass; Peter Blagoev, violin; Ilya Levinson, piano; Hank Tausend, percussion; New Budapest Orpheum Society |
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Besos sin cuento, op. 86: Al Amor
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Arnold Rosner
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Julia Bentley, voice; Janice MacDonald, flute; Pinotage; Alison Attar, harp; Claudia Lasareff-Mironoff, viola |
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Besos sin cuento, op. 86: Duermes, Licisca
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Arnold Rosner
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Janice MacDonald, flute; Julia Bentley, voice; Claudia Lasareff-Mironoff, viola; Pinotage; Alison Attar, harp |
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Besos sin cuento, op. 86: En Jaén
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Arnold Rosner
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Julia Bentley, voice; Claudia Lasareff-Mironoff, viola; Janice MacDonald, flute; Pinotage; Alison Attar, harp |
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Besos sin cuento, op. 86: Glosa de las Vacas
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Arnold Rosner
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Claudia Lasareff-Mironoff, viola; Pinotage; Julia Bentley, voice; Janice MacDonald, flute; Alison Attar, harp |
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Besos sin cuento, op. 86: La Bella Inés
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Arnold Rosner
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Claudia Lasareff-Mironoff, viola; Pinotage; Julia Bentley, voice; Janice MacDonald, flute; Alison Attar, harp |
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Besos sin cuento, op. 86: Y Dulce Olvido
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Arnold Rosner
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Janice MacDonald, flute; Alison Attar, harp; Pinotage; Julia Bentley, voice; Claudia Lasareff-Mironoff, viola |
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Black Market
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Friedrich Holländer
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New Budapest Orpheum Society; Julia Bentley, mezzo-soprano; Iordanka Kissiova, violin; Don Stille, accordion; Ilya Levinson, piano; Mark Sonksen, bass; Danny Howard, percussion |
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Das Chanson für Hochwohlgeborene
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Edmund Nick
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New Budapest Orpheum Society; Ilya Levinson, piano; Iordanka Kissiova, violin; Hank Tausend, drums; Stewart Miller, bass; Julia Bentley, mezzo-soprano |
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Das Wiegenlied väterlicherseite
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Edmund Nick
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New Budapest Orpheum Society; Ilya Levinson, piano; Iordanka Kissiova, violin; Hank Tausend, drums; Stewart Miller, bass; Julia Bentley, mezzo-soprano |
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Day after Day (on a melody by Shalom Postolsky)
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Darius Milhaud
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Peter Blagoev, violin; Ilya Levinson, piano; Stewart Miller, bass; Julia Bentley, mezzo-soprano; Hank Tausend, percussion; New Budapest Orpheum Society |
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Der Gesang vom verloren Sohn
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Edmund Nick
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New Budapest Orpheum Society; Ilya Levinson, piano; Iordanka Kissiova, violin; Hank Tausend, drums; Stewart Miller, bass; Julia Bentley, mezzo-soprano |
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Der Graben
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Hanns Eisler
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Julia Bentley, mezzo-soprano; Stewart Miller, bass; Hank Tausend, percussion; Ilya Levinson, piano; Peter Blagoev, violin; New Budapest Orpheum Society |
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Der Song "man müßte wieder"
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Edmund Nick
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New Budapest Orpheum Society; Ilya Levinson, piano; Iordanka Kissiova, violin; Hank Tausend, drums; Stewart Miller, bass; Julia Bentley, mezzo-soprano |
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Die Elegy in Sachen Wald
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Edmund Nick
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New Budapest Orpheum Society; Ilya Levinson, piano; Iordanka Kissiova, violin; Hank Tausend, drums; Stewart Miller, bass; Julia Bentley, mezzo-soprano |
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