Items 1 – 12 of 12 shown.
| title |
composer |
artists/ensemble |
play |
|
Ariadne
|
Lou Harrison
|
William Winant, percussion; Leta Miller, flute |
|
|
Conduction #11
|
Lawrence D. "Butch" Morris
|
J. A. Deane, trombone; BlK lion, guitar; Jon Raskin, alto saxophone; Lawrence D. "Butch" Morris, Conductor; Chris Brown, electric percussion piano; Bill Horvitz, electric guitar; Bruce Ackley, soprano saxophone; John English, bass; Hal Hughes, violin; Dave Barrett, alto saxophone; ROVA PreEchoes Ensemble; Kash Killion, cello; William Winant, percussion; Jon Jang, piano; Lawrence Ochs, saxophone; BlK lion, electronics; Jon Raskin, baritone saxophone; Kaila Flexer, violin; J. A. Deane, electronics |
|
|
Dancing on Water
|
Peter Garland
|
William Winant, marimba; Marty Walker, clarinet; David Johnson, marimba |
|
|
First Concerto For Flute & Percussion
|
Lou Harrison
|
Heather Sloan, percussion; William Winant, percussion; Leta Miller, flute |
|
|
Four Voice Canons #3-6
|
Larry Polansky
|
Larry Polansky, computer; William Winant, marimba; Tom Erbe; William Winant, percussion; Larry Polansky; Larry Polansky, sampled sounds |
|
|
How Much Better If Plymouth Rock Had Landed on the Pilgrims
|
David Rosenboom
|
DR. MiNT; Aashish Khan, sarode; David Rosenboom, piano; Vinny Golia, bass flute; I Nyoman Wenten, pemade; Austin Wrinkle, drums; Caleb Dolister, drums; Tony DiGennaro, electric bass; Alex Noice, electric guitar; Sam Minaie, electric bass; Brian Walsh, baritone saxophone; David Rosenboom, Buchla 300 Series electric music box; Gavin Templeton, alto saxophone; PLOTZ!; Jake Vossler, electric guitar; William Winant, calung; William Winant, jegog; Daniel Rosenboom, bass trumpet; Daniel Rosenboom, cornet; Daniel Rosenboom, piccolo trumpet; I Nyoman Wenten, kendang; William Winant, marimba; Vinny Golia, contrabass clarinet; Erika Duke-Kirkpatrick, cello; David Rosenboom, electronics; David Rosenboom, dumbek; Gerald Shapiro, synthesizer; Lynn David Newton, electric bass; Thomas G. McFaul, wah-wah piano; David Rosenboom, computer; David Rosenboom, organ; Michael Slevin, tambura; Vinny Golia, contrabass saxophone; Vinny Golia, sopranino saxophone; Vinny Golia, flute; Vinny Golia, soprillo saxophone; Vinny Golia, piccolo; Vinny Golia, shakuhachi; Vinny Golia, soprano saxophone; Daniel Rosenboom, trumpet; Donald Buchla, Buchla 300 Series electric music box; Swapan Chaudhuri, tabla |
|
|
Marriage At The Eiffel Tower
|
Lou Harrison
|
Scott Macomber, trumpet; Mark Brandenburg, clarinet; Leta Miller, flute; William Winant, percussion; Nicole Paiement, Conductor; Karen Andrie, cello; Susan Brown, violin; Stan Poplin, bass; Jodi Gandolfi, piano |
|
|
Mass To St. Anthony
|
Lou Harrison
|
William Winant, percussion; Nicole Paiement, Conductor; UCSC percussion ensemble; Leta Miller, piccolo; UCSC Chamber Singers |
|
|
Moon Viewing Music
(Inscrutable Stillness Studies #1)
|
Peter Garland
|
William Winant, gongs; William Winant, tam-tam |
|
|
Part I: The Winding of a Spring
|
David Rosenboom
|
David Rosenboom, electronics; William Winant, percussion |
|
|
Part II: Closed Attracting Trajectories
|
David Rosenboom
|
David Rosenboom, electronics; William Winant, percussion |
|
|
Songs of Then and Now
|
Andrew Imbrie
|
George Thomson, Conductor; Susan Freier, violin; San Francisco Contemporary Music Players; Chorissima of the San Francisco Girls Chorus; William Wohlmacher, clarinet; Tod Brody, flute; William Winant, percussion; Julie Steinberg, piano; Stephen Harrison, cello |
|
Next Page
Next Page
