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I am what I have been
He is what he was
There are what they were
She is what she was
We are what we have done
You; are how you have acted
Just as that which is received and returned in the form of rhythmic reciprocation by the three worlds of vibratory focus, wherein, yesterday is today and today is tomorrow, wherein, that which appears written; also appears unwritten and now is then and theft is now, whereas, the one moment is all moments and infinity always was and will always be, in the spectrum that illuminates then; now, and forever, wherein, two is a differentiated creation of one, wherein the balancing poles of positive/negative, up/down, front/back, then/now, masculine/feminine and action/reaction, serve as a basis for determining degrees of understanding in the three worlds that constitute the active planes of rhythmic focus and return to one,
I am what I am He is what he is
They are what they are
She is what she is
We are what we are
You are what you are
MRA
DUET FOR. CONTRABASS AND PIANO
Jon Deak, contrabass; Joseph Kubera, piano
DUET FOR, VIOLI N AND PIANO
Mark Feldman, violin; Joseph Kubera, piano
BARITONE voice and string quartet
Thomas Buckner, baritone; ETHEL: Ralph Farris, viola; Dorothy Lawsott, ceiio; Todd. Reynolds, violin; Mary Rowett, violin
PIANO DUET #1
Joseph Kubera and Philip Bush, pianos
THE VISIBILITY OF THOOQHT
Muhal Richard Abrams, computer, synthesizer, and sequencer
Muhal Richard Abrams, piano
All compositions published by Ric-Peg Publishing
Produced by Muhal Richard Abrams
Recorded by Tom Hamilton at Systems Two in Brooklyn, NY, August and December1 2000
Masfered by Nicholas Prout at Chesky Records,"New York
Hamburg Steinway #782 provided by Mary Schwendeman Concert Service, New York
Cover art by Muhal Rictiard Abrams
Cover design by Matthew Schickele
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