"In The Summer of 1966 I worked in the Classical Electronic Music Studio at the University of Toronto for six weeks. The System I used to create No Mo and Something Else consisted of Layfette tone generators, noise source and tape delay. In the Fall of 1966 I was the newly appointed Director of the Mills Tape Music Center formerly the San Francisco Tape Music Center and now the Center for Contemporary Music at Mills College. Bog Road was created at the Mills Tape Music Center in Summer of 1967 with Buchla Series 100 Box.
The studio overlooked a pond where frogs singing a chorus that inspired a series of Bog pieces."
All works published by Deep Listening
Special thanks to David Kessner at UCSD Library and the Institute for Electronic Arts, Alfred, NY