| type |
score |
title |
composer |
artists/ensemble |
play |
|
work
|
100% |
Past Tells (or Orals)
|
David Taylor
|
Marty Ehrlich, clarinet;
Herb Robertson, trumpet;
Paul Smoker, trumpet;
Marty Ehrlich, soprano saxophone;
Marty Ehrlich, tenor saxophone;
Phil Haynes, percussion;
Andy Laster, baritone saxophone;
Jay Branford, alto saxophone;
Jay Branford, baritone saxophone;
Phil Haynes, drums;
Paul Smoker, flugelhorn;
Gary M. Schneider, Conductor;
Mark Helias, bass;
Herb Robertson, valve trombone;
Andy Laster, clarinet;
David Taylor, bass trombone
|
|
|
work
|
100% |
Apartheid U.S.A. Suite
|
Royal Hartigan
|
Wes Brown, bass;
David Bindman, saxophone;
Kevin McNeal, guitar;
Royal Hartigan, drums
|
|
|
work
|
100% |
Four Miniatures after Booker Little
|
Booker Little
|
Josh Roseman, trombone;
Uri Caine, piano;
Joey Baron, drums;
Dave Douglas, trumpet;
Chris Speed, clarinet;
Chris Speed, tenor saxophone;
James Genus, bass
|
|
|
work
|
100% |
Pilipinas Suite
|
Royal Hartigan
|
Kevin McNeal, guitar;
David Bindman, saxophone;
Wes Brown, bass;
Royal Hartigan, drums
|
|
|
work
|
100% |
Conduction #31
|
Lawrence D. "Butch" Morris
|
Ikue Mori, drum machine;
Lawrence D. "Butch" Morris, Conductor;
Hans Reichel, guitar;
Han Bennink, drums;
Steve Beresford, piano;
Tom Cora, cello;
Catherine Jauniaux, voice;
Wolter Wierbos, trombone;
Peter Kowald, bass;
Dietmar Diesner, soprano saxophone;
Hans Reichel, daxophone
|
|
|
work
|
100% |
The Death of Simone Weil
|
Darrel Katz
|
Jazz Composers Alliance Orchestra;
Bob Pilkington, trombone;
Hans Indigo, baritone saxophone;
Keiichi Hashimoto, trumpet;
Mike Peipman, trumpet;
Dirk Hillyer, French horn;
Hiro Honshuke, flute;
Matt Steckler, alto saxophone;
Jeremy Udden, alto saxophone;
David Harris, trombone;
Art Bailey, piano;
James Gray, tuba;
Rebecca Shrimpton, voice;
Al Tatarunis, voice;
Warren Senders, voice;
Rick McLaughlin, bass;
Harvey Wirht, drums;
Rich Greenblatt, vibraphone;
Taki Masuko, percussion;
Phil Scarff, tenor saxophone
|
|
|
work
|
100% |
Conduction #35
|
Lawrence D. "Butch" Morris
|
Michael Barker, block flute;
Peter Van Bergen, tenor saxophone;
Lawrence D. "Butch" Morris, Conductor;
Maarten Altena Ensemble;
Maarten Altena, bass;
Alison Isadora, violin;
Wiek Hijmans, electric guitar;
Jannie Pranger, voice;
Peter Van Bergen, bass clarinet;
Michiel Scheen, piano;
Michael Vatcher, drums;
Wolter Wierbos, trombone;
Michael Barker, recorder
|
|
|
work
|
100% |
Unquenchable Fire
|
Joe McPhee
|
David Gamper, keyboard;
David Gamper, flute;
Joe Giardullo, flute;
Joe McPhee, soprano saxophone;
Joe McPhee, Casio digital horn;
Joe McPhee, alto clarinet;
Karen Jurgens, drums;
Joe Giardullo, bass clarinet;
David Gamper, electronics;
Stuart Dempster, trombone;
Monica Wilson, cello;
Rachel Pollack, spoken word;
Deep Listening Band;
Pauline Oliveros, accordion;
Joe McPhee Quartet;
Stuart Dempster, didjeridu
|
|
|
work
|
100% |
Conduction #36,
|
Lawrence D. "Butch" Morris
|
Peter Van Bergen, bass clarinet;
Peter Van Bergen, tenor saxophone;
Lawrence D. "Butch" Morris, Conductor;
Michiel Scheen, piano;
Maarten Altena, bass;
Wolter Wierbos, trombone;
Michael Barker, block flute;
Maarten Altena Ensemble;
Michael Vatcher, drums;
Jannie Pranger, voice;
Alison Isadora, violin;
Wiek Hijmans, electric guitar;
Michael Barker, recorder
|
|
|
work
|
100% |
3 Phasis
|
Cecil Taylor
|
Ramsey Ameen, violin;
Raphé Malik, trumpet;
Ronald Shannon Jackson, drums;
Sirone, bass;
Jimmy Lyons, alto saxophone;
Cecil Taylor, piano
|
|
|
work
|
100% |
Shuffle Play
|
John Schott
|
Tom Yoder, trombone;
Scott Amendola, drums;
Rob Burger, accordion;
Trevor Dunn, bass;
Matt Brubeck, cello;
Tara Flandreau, viola;
Jenny Scheinman, violin;
Carla Kihlstedt, violin;
Gino Robair, xylophone;
Karen Stackpole, gongs;
Beth Custer, clarinet;
Ben Goldberg, clarinet;
Steve Adams, flute;
Dan Plonsey, alto saxophone;
John Schott, organ;
Myles Boisen, electric bass guitar
|
|
|
work
|
100% |
Take Me Back Baby
|
Count Basie
|
Buddy Tate, tenor saxophone;
Paul Quinichette, tenor saxophone;
Cliff Smalls, piano;
Jackie Williams, drums;
Major Holley, bass;
Buddy Tate, voice
|
|
|
work
|
100% |
96 Gestures
|
Scott Fields
|
Carrie Biolo, vibraphone;
François Houle, clarinet;
Matt Turner, cello;
Dylan Van Der Schyff, drums;
Damon Short, drums;
Rob Mazurek, cornet;
Joseph Jarman, flute;
Joseph Jarman, alto saxophone;
Hans Sturm, double bass;
Myra Melford, piano;
Jason Roebke, double bass;
Stephen Dembski, Conductor;
Scott Fields, electric guitar;
Robbie Lynn Hunsinger, oboe;
Robbie Lynn Hunsinger, English horn
|
|
|
work
|
100% |
The House That Brings a Smile
|
Wayne Horvitz
|
Herb Robertson, trumpet;
Lesli Dalaba, trumpet;
Bobby Previte, drums;
Jimmy Cozier, baritone saxophone;
Wayne Horvitz, piano;
Jr. Guyton, alto saxophone;
Robert DeBellis, alto saxophone;
Bobby Previte, marimba;
Doug Wieselman, tenor saxophone;
Marty Ehrlich, soprano saxophone;
Ray Anderson, trombone;
Marty Ehrlich, tenor saxophone;
Marty Ehrlich, bass clarinet;
Jr. Guyton, flute;
Art Baron, trombone;
Doug Wieselman, clarinet;
Vincent Chancey, French horn;
Robin Holcomb, piano;
Steven Bernstein, trumpet;
Robert DeBellis, flute;
New York Composers Orchestra;
Lindsey Horner, bass
|
|
|
work
|
100% |
Sonata for The Inner Ear
|
Kitty Brazelton
|
Dorothy Stone, flute;
Vicki Ray, sampled sounds;
Vicki Ray, piano;
John Magnussen, marimba;
Amy Knoles, drums;
Vicki Ray, organ;
Erika Duke-Kirkpatrick, cello;
Robin Lorentz, violin;
Marty Walker, bass clarinet;
California E.A.R. Unit
|
|
|
work
|
100% |
Chorales for America
|
Gina Leishman
|
Doug Wieselman, clarinet;
Peter Apfelbaum, tenor saxophone;
Peter Apfelbaum, claro-sax;
Peter Apfelbaum, recorder;
Jeff Cressman, baritone horn;
Jeff Cressman, trombone;
Jeff Cressman, slide whistle;
Danny Frankel, drums;
Danny Frankel, percussion;
Bob Lipton, tuba;
Kamikaze Ground Crew;
Steven Bernstein, cornet;
Steven Bernstein, flugelhorn;
Steven Bernstein, trumpet;
Steven Bernstein, piccolo trumpet;
Peter Apfelbaum, clarinet;
Gina Leishman, voice;
Gina Leishman, ukelele;
Doug Wieselman, pennywhistle;
Doug Wieselman, electric guitar;
Doug Wieselman, tenor saxophone;
Doug Wieselman, soprano saxophone;
Doug Wieselman, baritone saxophone;
Doug Wieselman, alto saxophone;
Doug Wieselman, ukelele;
Doug Wieselman, mandolin;
Gina Leishman, accordion;
Gina Leishman, bass clarinet;
Gina Leishman, keyboard;
Gina Leishman, piano;
Gina Leishman, alto saxophone;
Steven Bernstein, tuba
|
|
|
work
|
100% |
Real Standard Time
|
Matt Levy
|
PRISM Quartet;
Time Ries, soprano saxophone;
Michael Whitcombe, alto saxophone;
Matt Levy, tenor saxophone;
Taimur Sullivan, baritone saxophone;
John Riley, drums
|
|
|
work
|
100% |
Untold Story
|
Ned Rothenberg
|
Paul Dresher, sequencer;
Ned Rothenberg, alto saxophone;
Ned Rothenberg, tenor saxophone;
Ned Rothenberg, sampled sounds;
Ned Rothenberg, sequencer;
Samm Bennett, shakers;
Samm Bennett, drums;
Samm Bennett, electronic percussion;
Mark Dresser, Arco bass;
Anthony Jackson, electric bass guitar;
Paul Dresher, sampled sounds;
Paul Dresher, guitar;
Paul Dresher, loops;
Ned Rothenberg, shakuhachi
|
|
|
work
|
100% |
Debussy Deb-You Do
|
David Sherr
|
David Sherr, flute;
Shelly Berg, piano;
Cynthia Fogg, viola;
Joe LaBarbera, drums;
Amy Wilkins, harp;
Harvey Newmark, bass;
Scott Higgins, vibraphone
|
|
|
track
|
100% |
Eskelin/Hollenbeck Vignettes
|
|
Ellery Eskelin, tenor saxophone;
John Hollenbeck, drums;
John Hollenbeck, percussion
|
|
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