Muhal Richard Abrams - The Visibility of Thought

I am what I have been

He is what he was

There are what they were

She is what she was

We are what we have done

You; are how you have acted

Just as that which is received and returned in the form of rhythmic reciprocation by the three worlds of vibratory focus, wherein, yesterday is today and today is tomorrow, wherein, that which appears written; also appears unwritten and now is then and theft is now, whereas, the one moment is all moments and infinity always was and will always be, in the spectrum that illuminates then; now, and forever, wherein, two is a differentiated creation of one, wherein the balancing poles of positive/negative, up/down, front/back, then/now, masculine/feminine and action/reaction, serve as a basis for determining degrees of understanding in the three worlds that constitute the active planes of rhythmic focus and return to one,

I am what I am He is what he is

They are what they are

She is what she is

We are what we are

You are what you are

MRA

DUET FOR. CONTRABASS AND PIANO
Jon Deak, contrabass; Joseph Kubera, piano

DUET FOR, VIOLI N AND PIANO
Mark Feldman, violin; Joseph Kubera, piano

BARITONE voice and string quartet
Thomas Buckner, baritone; ETHEL: Ralph Farris, viola; Dorothy Lawsott, ceiio; Todd. Reynolds, violin; Mary Rowett, violin

PIANO DUET #1
Joseph Kubera and Philip Bush, pianos

THE VISIBILITY OF THOOQHT
Muhal Richard Abrams, computer, synthesizer, and sequencer
Muhal Richard Abrams, piano

All compositions published by Ric-Peg Publishing

Produced by Muhal Richard Abrams

Recorded by Tom Hamilton at Systems Two in Brooklyn, NY, August and December1 2000

Masfered by Nicholas Prout at Chesky Records,"New York

Hamburg Steinway #782 provided by Mary Schwendeman Concert Service, New York

Cover art by Muhal Rictiard Abrams

Cover design by Matthew Schickele