DRAM: John Luther Adams: Strange And Sacred Noise

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John Luther Adams: Strange And Sacred Noise

Label: Mode Records

Catalog Number: MO153

Running Time: 34:43

Composition Date: 1997

Recording Date: Nov 1998

Composers: John Luther Adams

Performers: Allen Otte, percussion; Brady Harrison, percussion; Stuart Gerber, percussion; James Culley, percussion; Percussion Group Cincinnati; Matt McClung, percussion; Russell Burge, percussion

Tags: chamber

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Strange and Sacred Noise		34:43	John Luther Adams
Performers: Allen Otte, percussion; Brady Harrison, percussion; Stuart Gerber, percussion; James Culley, percussion; Percussion Group Cincinnati; Matt McClung, percussion; Russell Burge, percussion Composition Date: 1997 Recording Date: Nov 1998
	Strange and Sacred Noise: ...Dust Into Dust...	9:15	John Luther Adams
	for 2 snare druma and 2 field drums Performers: Brady Harrison, percussion; Matt McClung, percussion; Stuart Gerber, percussion; Russell Burge, percussion; James Culley, percussion; Allen Otte, percussion; Percussion Group Cincinnati Composition Date: 1997 Recording Date: Nov 1998
	Strange and Sacred Noise: Solitary And Time-Breaking Waves	10:44	John Luther Adams
	After James Tenney - for 4 tam-tams Performers: Brady Harrison, percussion; Matt McClung, percussion; Stuart Gerber, percussion; Russell Burge, percussion; James Culley, percussion; Allen Otte, percussion; Percussion Group Cincinnati Composition Date: 1997 Recording Date: Nov 1998
	Strange and Sacred Noise: Velocities Crossing In Phase-Space	9:40	John Luther Adams
	After Conlon Nancarrow and Peter Garland - for 8 tom-toms and 2 bass drums Performers: Percussion Group Cincinnati; Allen Otte, percussion; James Culley, percussion; Russell Burge, percussion; Stuart Gerber, percussion; Matt McClung, percussion; Brady Harrison, percussion Composition Date: 1997 Recording Date: Nov 1998
	Strange and Sacred Noise: Triadic Iteration Lattices	8:22	John Luther Adams
	To Edgar Varèse and Alvin Lucier - for 4 air-raid sirens Performers: Percussion Group Cincinnati; Allen Otte, percussion; James Culley, percussion; Russell Burge, percussion; Stuart Gerber, percussion; Matt McClung, percussion; Brady Harrison, percussion Composition Date: 1997 Recording Date: Nov 1998
	Strange and Sacred Noise: Clusters On A Quadrilateral Grid: I	8:39	John Luther Adams
	To Morton Feldman - for 4 marimbas Performers: Percussion Group Cincinnati; Allen Otte, percussion; James Culley, percussion; Russell Burge, percussion; Stuart Gerber, percussion; Matt McClung, percussion; Brady Harrison, percussion Composition Date: 1997 Recording Date: Nov 1998
	Strange and Sacred Noise: Clusters On A Quadrilateral Grid: II	4:36	John Luther Adams
	for 4 vibraphones Performers: Percussion Group Cincinnati; Allen Otte, percussion; James Culley, percussion; Russell Burge, percussion; Stuart Gerber, percussion; Matt McClung, percussion; Brady Harrison, percussion Composition Date: 1997 Recording Date: Nov 1998
	Strange and Sacred Noise: Clusters On A Quadrilateral Grid: III	4:31	John Luther Adams
	for 4 sets of crotales and orchestra bells Performers: Percussion Group Cincinnati; Allen Otte, percussion; James Culley, percussion; Russell Burge, percussion; Stuart Gerber, percussion; Matt McClung, percussion; Brady Harrison, percussion Composition Date: 1997 Recording Date: Nov 1998
	Strange and Sacred Noise: Clusters On A Quadrilateral Grid: IV	8:35	John Luther Adams
	for 4 marimbas Performers: Percussion Group Cincinnati; Allen Otte, percussion; James Culley, percussion; Russell Burge, percussion; Stuart Gerber, percussion; Matt McClung, percussion; Brady Harrison, percussion Composition Date: 1997 Recording Date: Nov 1998
	Strange and Sacred Noise: ...And Dust Rising...	8:43	John Luther Adams
	for 2 snare druma and 2 field drums Performers: Percussion Group Cincinnati; Allen Otte, percussion; James Culley, percussion; Russell Burge, percussion; Stuart Gerber, percussion; Matt McClung, percussion; Brady Harrison, percussion Composition Date: 1997 Recording Date: Nov 1998