| type |
score |
title |
composer |
artists/ensemble |
play |
|
album
|
100% |
New Music for the Piano
|
Alan Hovhaness
|
Robert Helps, piano
|
|
|
album
|
100% |
Samuel Adler: Concertino No. 3 - Viola Sonata
|
Samuel Adler
|
John Mack, oboe;
Elizabeth DeMio, piano;
Edwin London, Conductor;
Cleveland Chamber Symphony;
Susan Davenny Wyner, Conductor;
The Plymouth Trio;
Christina Price, soprano
|
|
|
album
|
100% |
Exultation: Works by Cowell/Adler/Perle/Evett/Keeney/Goossen
|
Henry Cowell
|
Bradford Gowen, piano
|
|
|
album
|
100% |
Milhaud/Piston/Adler/Martinu/Rubbra/Dvorak
|
Antonín Dvořák
|
Pamela Frame, cello;
Julie Gigante, violin;
Tony Bouté, tenor;
Barbara Harbach, harpsichord;
Virginia Lenz, viola;
Charles Castleman, violin;
Bonita Boyd, flute
|
|
|
album
|
100% |
Three American Piano Trios
|
Horatio Parker
|
Richard Rognstad, cello;
The Rawlins Piano Trio;
David C. Neely, violin;
Dennis Ondrozeck, piano
|
|
|
album
|
100% |
New Music From Bowling Green, Vol. IV
|
Chen Yi
|
Orianna Webb, speaker;
Samuel Adler, speaker;
Emily Freeman Brown, Conductor;
Christina Jennings, flute;
Bowling Green Philharmonia;
Emily Freeman Brown, speaker;
Penny Thompson Kruse, violin;
Chen Yi, speaker;
Kevin Puts, speaker;
Shulamit Ran, speaker
|
|
|
album
|
100% |
Samuel Adler: Cantos for Solo Instruments
|
Samuel Adler
|
Jan Gippo, piccolo;
Thomas Stacy, English horn;
Judith LeClair, bassoon;
Franklin Cohen, clarinet;
John Sampen, saxophone;
David Bilger, trumpet;
Charles Vernon, bass trombone;
William VerMeulen, French horn
|
|
|
album
|
100% |
New Music From Bowling Green
|
Samuel Adler
|
Jennifer Wesco, soprano;
Traci Cotterman, soprano;
Irina Yurkovskaya, soprano;
Myra Merritt, soprano;
Movses Pogossian, violin;
Emily Freeman Brown, Conductor;
Bowling Green Philharmonia
|
|
|
album
|
100% |
Samuel Adler: Choose Life
|
Samuel Adler
|
Mary Creswell, mezzo-soprano;
University of Southern Mississippi Symphony Orchestra & Chorus;
Timothy Koch, Conductor;
Dan Frazure, tenor;
University of Southern Mississippi Faculty Chamber Ensemble;
Alan Feinberg, piano
|
|
|
album
|
100% |
Visions In Metaphor
|
Milton Babbitt
|
Marilyn Shrude, piano;
John Sampen, saxophone
|
|
|
album
|
100% |
American Viola Concertos
|
Walter Piston
|
Randolph Kelly, viola;
Latvian National Symphony Orchestra;
Aleksandrs Vilumanis, Conductor
|
|
|
album
|
100% |
Samuel Adler: String Quartets 3, 6, & 7
|
Samuel Adler
|
Paul Katz, cello;
Atar Arad, viola;
Peter Salaff, violin;
Donald Weilerstein, violin;
Elizabeth Anderson, cello;
Ian Swenson, violin;
Meliora Quartet;
Cleveland Quartet;
Maria Lambros, viola;
Calvin Wiersma, violin;
Abram Loft, violin;
George Sopkin, cello;
Leonard Sorkin, violin;
Fine Arts Quartet;
Jan DeGaetani;
Bernard Zaslav, viola
|
|
|
work
|
100% |
Sonatina
|
Samuel Adler
|
Bradford Gowen, piano
|
|
|
work
|
100% |
Canto XIV, a Klezmer fantasy for Clarinet solo
|
Samuel Adler
|
Franklin Cohen, clarinet
|
|
|
work
|
100% |
Concerto for Viola and Orchestra
|
Samuel Adler
|
Latvian National Symphony Orchestra;
Randolph Kelly, viola;
Aleksandrs Vilumanis, Conductor
|
|
|
work
|
100% |
Canto XII for Bassoon solo
|
Samuel Adler
|
Judith LeClair, bassoon
|
|
|
work
|
100% |
Sonata No. 2 for Violin & Harpsichord
|
Samuel Adler
|
Charles Castleman, violin;
Barbara Harbach, harpsichord
|
|
|
work
|
100% |
Canto IV for Alto Saxophone solo
|
Samuel Adler
|
John Sampen, saxophone
|
|
|
work
|
100% |
Domestic Tranquility
|
Samuel Adler
|
The Plymouth Trio;
Christina Price, soprano;
John Mack, oboe;
Elizabeth DeMio, piano
|
|
|
work
|
100% |
Canto II for Trombone solo
|
Samuel Adler
|
Charles Vernon, bass trombone
|
|
Next Page
Adler, Samuel