| type |
score |
title |
composer |
artists/ensemble |
play |
|
album
|
100% |
Eric Chasalow: Left to His Own Devices
|
Eric Chasalow
|
Michael Finckel, cello;
Andrew Rindfleisch, Conductor;
William Hite, tenor;
Boston Modern Orchestra Project;
Gil Rose, Conductor;
John Berryman;
Susan Gall Hampton, flute;
Gary Gorczyca, clarinet;
Guido Arbonelli, bass clarinet;
David Russell, cello;
William Hite, tape;
Robert Schulz, percussion;
Geoffrey Burleson, piano;
Phantom Arts;
Christopher Oldfather, piano;
Auros Group for New Music;
Andrea Schultz, violin;
Sarah Thornblade, violin;
Jennifer Lucht, cello;
Michael Adelson, Conductor;
John Harrison, violin;
William Kirkley, clarinet;
Jean DeMart, flute;
Guido Arbonelli, tape
|
|
|
album
|
100% |
Charles Jones: New & Historical Recordings
|
Charles Jones
|
Gävleborgs Symphony Orchestra;
William Masselos, piano;
Michael Adelson, Conductor;
Curtis Macomber, violin;
Blair McMillen, piano
|
|
|
work
|
100% |
Symphony No. 3
|
Charles Jones
|
Gävleborgs Symphony Orchestra;
Michael Adelson, Conductor
|
|
|
track
|
100% |
Symphony No. 3: III. Epilogue
|
Charles Jones
|
Michael Adelson, Conductor;
Gävleborgs Symphony Orchestra
|
|
|
track
|
100% |
Suspicious Motives
|
Eric Chasalow
|
Susan Gall Hampton, flute;
Auros Group for New Music;
William Kirkley, clarinet;
Michael Adelson, Conductor;
Sarah Thornblade, violin;
Jennifer Lucht, cello
|
|
|
track
|
100% |
Symphony No. 3: I. Piacevole
|
Charles Jones
|
Michael Adelson, Conductor;
Gävleborgs Symphony Orchestra
|
|
|
track
|
100% |
Symphony No. 3: II. Presto; Pastroale
|
Charles Jones
|
Michael Adelson, Conductor;
Gävleborgs Symphony Orchestra
|
|
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