Items 41 – 60 of 148 shown.
| title |
composer |
artists/ensemble |
play |
|
Improvisation 4
|
George Marsh
|
George Marsh, percussion; W.A. Mathieu, piano |
|
|
Improvisation 5
|
George Marsh
|
George Marsh, percussion; W.A. Mathieu, piano |
|
|
Improvisation 6
|
George Marsh
|
George Marsh, percussion; W.A. Mathieu, piano |
|
|
Improvisation 7
|
George Marsh
|
George Marsh, percussion; W.A. Mathieu, piano |
|
|
Improvisation 8
|
George Marsh
|
George Marsh, percussion; W.A. Mathieu, piano |
|
|
Improvisation 9
|
George Marsh
|
George Marsh, percussion; W.A. Mathieu, piano |
|
|
Improvisations on In Crossing the Busy Street: Exploring The Busy Street 1
|
George Marsh
|
J.B. Floyd, piano; George Marsh, drums |
|
|
Improvisations on In Crossing the Busy Street: Exploring The Busy Street 2
|
George Marsh
|
J.B. Floyd, piano; George Marsh, drums |
|
|
Improvisations on In Crossing the Busy Street: He's Round Faced Like the Moon
|
George Marsh
|
J.B. Floyd, piano; George Marsh, drums |
|
|
Improvisations on In Crossing the Busy Street: He's The Echo Inside The Echo
|
George Marsh
|
J.B. Floyd, piano; George Marsh, drums |
|
|
Improvisations on In Crossing the Busy Street: The Mountain had Never Before Experienced Such Elation
|
George Marsh
|
J.B. Floyd, piano; George Marsh, drums |
|
|
Improvisations on In Crossing the Busy Street: There Are So Many Places We've Been That We Would Like To Revisit
|
George Marsh
|
J.B. Floyd, piano; George Marsh, drums |
|
|
In Monasterio: I. Adagio
|
Quincy Porter
|
Potomac String Quartet; George Marsh, violin; Sally McLain, violin; Tsuna Sakamoto, viola; Steven Honigberg, cello |
|
|
In Monasterio: II. Cantabile
|
Quincy Porter
|
Potomac String Quartet; George Marsh, violin; Sally McLain, violin; Tsuna Sakamoto, viola; Steven Honigberg, cello |
|
|
In Monasterio: III. Allegro
|
Quincy Porter
|
Potomac String Quartet; George Marsh, violin; Sally McLain, violin; Tsuna Sakamoto, viola; Steven Honigberg, cello |
|
|
Just Play
|
George Marsh
|
Thomas Buckner, voice; George Marsh, percussion; Pauline Oliveros, accordion; David Wessel, electronics; Jennifer Wilsey, percussion |
|
|
Käthe Kollwitz: I. My Lifetime Listens
|
Tom Myron
|
Tsuna Sakamoto, viola; George Marsh, violin; Steven Honigberg, cello; Glenn Donnellan, violin; Patricia Green, soprano |
|
|
Käthe Kollwitz: II. The Process Is After All Like Music
|
Tom Myron
|
George Marsh, violin; Steven Honigberg, cello; Glenn Donnellan, violin; Tsuna Sakamoto, viola; Patricia Green, soprano |
|
|
Käthe Kollwitz: III. The World Split Open
|
Tom Myron
|
Glenn Donnellan, violin; George Marsh, violin; Tsuna Sakamoto, viola; Steven Honigberg, cello; Patricia Green, soprano |
|
|
Käthe Kollwitz: IV. Song - The Calling-Up
|
Tom Myron
|
George Marsh, violin; Steven Honigberg, cello; Tsuna Sakamoto, viola; Glenn Donnellan, violin; Patricia Green, soprano |
|
Next Page