| type |
score |
title |
composer |
artists/ensemble |
play |
|
album
|
100% |
Bending the Light: Chamber Works by Bauer/Lieuwen/Merryman/Shatin/Shrude/Welcher
|
Judith Shatin
|
CORE Ensemble;
Hugh Hinton, piano;
Andrew Mark, cello;
Michael Parola, percussion
|
|
|
album
|
100% |
New Music From Bowling Green
|
Samuel Adler
|
Jennifer Wesco, soprano;
Traci Cotterman, soprano;
Irina Yurkovskaya, soprano;
Myra Merritt, soprano;
Movses Pogossian, violin;
Emily Freeman Brown, Conductor;
Bowling Green Philharmonia
|
|
|
album
|
100% |
Visions In Metaphor
|
Milton Babbitt
|
Marilyn Shrude, piano;
John Sampen, saxophone
|
|
|
album
|
100% |
Shadows and Dawning
|
Marilyn Shrude
|
Kevin Heidbreder, tenor saxophone;
Shannon Ford, alto saxophone;
Stanley George, soprano saxophone;
Sax 4th Avenue Saxophone Quartet;
John Sampen, alto saxophone;
Marilyn Shrude, piano;
Jason Yost, baritone saxophone
|
|
|
album
|
100% |
Butterfly Dance: Music by Americans
|
David Gompper
|
|
|
|
work
|
100% |
Bending The Light
|
Marilyn Shrude
|
CORE Ensemble;
Michael Parola, percussion;
Hugh Hinton, piano;
Andrew Mark, cello
|
|
|
work
|
100% |
Secrets
|
Marilyn Shrude
|
|
|
|
work
|
100% |
Evolution V
|
Marilyn Shrude
|
Shannon Ford, alto saxophone;
Stanley George, soprano saxophone;
Kevin Heidbreder, tenor saxophone;
Jason Yost, baritone saxophone;
Sax 4th Avenue Saxophone Quartet;
John Sampen, alto saxophone
|
|
|
work
|
100% |
Sonata
|
William Albright
|
John Sampen, alto saxophone;
Marilyn Shrude, piano
|
|
|
work
|
100% |
A Window Always Open on The Sea
|
Marilyn Shrude
|
Andrew Mark, cello;
Hugh Hinton, piano;
CORE Ensemble;
Michael Parola, percussion
|
|
|
track
|
100% |
Sonata: Scherzo - "Will o'the wisp"
|
William Albright
|
John Sampen, alto saxophone;
Marilyn Shrude, piano
|
|
|
track
|
100% |
Facades
|
Philip Glass
|
Marilyn Shrude, piano;
John Sampen, saxophone
|
|
|
track
|
100% |
Window Always Open on the Sea: VII. "Hermit of the heart... Nothing is changed for a name"
|
Marilyn Shrude
|
Andrew Mark, cello;
Hugh Hinton, piano;
CORE Ensemble;
Michael Parola, percussion
|
|
|
track
|
100% |
Sonata: Recitative and Dance
|
William Albright
|
John Sampen, alto saxophone;
Marilyn Shrude, piano
|
|
|
track
|
100% |
Élégie et Rondeau
|
Karel Husa
|
Marilyn Shrude, piano;
John Sampen, saxophone
|
|
|
track
|
100% |
Marilyn Shrude - Comments
|
|
Marilyn Shrude, speaker
|
|
|
track
|
100% |
Shadows and Dawning
|
Marilyn Shrude
|
John Sampen, saxophone;
Marilyn Shrude, piano
|
|
|
track
|
100% |
Continuum (Postscript '97)
|
Marilyn Shrude
|
John Sampen, saxophone;
Marilyn Shrude, piano
|
|
|
track
|
100% |
Into Light
|
Marilyn Shrude
|
Bowling Green Philharmonia;
Emily Freeman Brown, Conductor
|
|
|
track
|
100% |
Bending the Light: I.
|
Marjorie Merryman
|
CORE Ensemble;
Andrew Mark, cello;
Hugh Hinton, piano
|
|
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Shrude, Marilyn