| type |
score |
title |
composer |
artists/ensemble |
play |
|
album
|
100% |
Music of Claudio Spies
|
Claudio Spies
|
Robert Miller, piano;
Jan Opalach, bass;
Johanna Arnold, alto;
Matthew Sullivan, oboe;
Henry Martin, piano;
Andrew May, violin;
Elizabeth McNutt, flute;
Samuel Rhodes, viola;
David Ronis, tenor;
Christine Whittlesey, soprano;
Brian Greene, oboe;
Nathaniel Watson, baritone;
Margaret Kampmeier, piano;
Alan Feinberg, piano;
Claudio Spies, Conductor
|
|
|
work
|
100% |
Five Sonnet Settings
|
Claudio Spies
|
Henry Martin, piano;
Claudio Spies, Conductor;
Jan Opalach, bass;
David Ronis, tenor;
Johanna Arnold, alto;
Christine Whittlesey, soprano
|
|
|
work
|
100% |
Three Songs on Poems by May Swenson
|
Claudio Spies
|
Alan Feinberg, piano;
Christine Whittlesey, soprano
|
|
|
work
|
100% |
4 Dádivas
|
Claudio Spies
|
Alan Feinberg, piano
|
|
|
work
|
100% |
Dylan Thomas' LAMENT and a Complementary ENVOI
|
Claudio Spies
|
Nathaniel Watson, baritone;
Margaret Kampmeier, piano
|
|
|
track
|
100% |
Beisammen
|
Claudio Spies
|
Brian Greene, English horn;
Brian Greene, oboe;
Matthew Sullivan, oboe;
Matthew Sullivan, English horn
|
|
|
track
|
100% |
Three Songs on Poems by May Swenson: II - Living Tenderly
|
Claudio Spies
|
Alan Feinberg, piano;
Christine Whittlesey, soprano
|
|
|
track
|
100% |
Dylan Thomas' LAMENT and a Complementary ENVOI: Lament
|
Claudio Spies
|
Nathaniel Watson, baritone;
Margaret Kampmeier, piano
|
|
|
track
|
100% |
Three Songs on Poems by May Swenson: III - The Woods at Night
|
Claudio Spies
|
Alan Feinberg, piano;
Christine Whittlesey, soprano
|
|
|
track
|
100% |
4 Dádivas: A Between-Birthdays Bagatelle for Roger Sessions 80th-81st
|
Claudio Spies
|
Alan Feinberg, piano
|
|
|
track
|
100% |
Dylan Thomas' LAMENT and a Complementary ENVOI: Envoi
|
Claudio Spies
|
Nathaniel Watson, baritone;
Margaret Kampmeier, piano
|
|
|
track
|
100% |
4 Dádivas: Ein Aggregats-Walzerl
|
Claudio Spies
|
Alan Feinberg, piano
|
|
|
track
|
100% |
Insieme
|
Claudio Spies
|
Elizabeth McNutt, flute;
Andrew May, violin
|
|
|
track
|
100% |
4 Dádivas: Bagatelle
|
Claudio Spies
|
Alan Feinberg, piano
|
|
|
track
|
100% |
Bagatelle
|
Claudio Spies
|
Alan Feinberg, piano
|
|
|
track
|
100% |
4 Dádivas: Verschieden
|
Claudio Spies
|
Alan Feinberg, piano
|
|
|
track
|
100% |
Five Sonnet Settings: I - Sonnet XVIII
|
Claudio Spies
|
Jan Opalach, bass;
David Ronis, tenor;
Johanna Arnold, alto;
Henry Martin, piano;
Christine Whittlesey, soprano;
Claudio Spies, Conductor
|
|
|
track
|
100% |
Animula Vagula, Blandula
|
Claudio Spies
|
Christine Whittlesey, soprano;
David Ronis, tenor;
Johanna Arnold, alto;
Jan Opalach, bass;
Claudio Spies, Conductor
|
|
|
track
|
100% |
Five Sonnet Settings: II - Sonnet XXVII and Sonnet XXVIII
|
Claudio Spies
|
Claudio Spies, Conductor;
Henry Martin, piano;
Christine Whittlesey, soprano;
Johanna Arnold, alto;
David Ronis, tenor;
Jan Opalach, bass
|
|
|
track
|
100% |
Viopiacem
|
Claudio Spies
|
Samuel Rhodes, viola;
Robert Miller, piano
|
|
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Spies, Claudio