| type |
score |
title |
composer |
artists/ensemble |
play |
|
album
|
100% |
Milton Babbitt
|
Milton Babbitt
|
Fred Sherry, violoncello;
Daniel Shulman, Conductor;
Nancy Bergman, voice;
Janet Steele, voice;
Johanna Arnold, voice;
Susan Jacquemot, voice;
Martha Rafferty-Page, voice;
Barbara Ann Martin, voice;
Maureen Gallagher, viola;
Benjamin Hudson, violin;
Aleck Karis, piano;
Alan Feinberg, piano;
Bethany Beardslee, soprano;
Harvey Sollberger, Conductor;
Harvey Sollberger, flute
|
|
|
album
|
100% |
Music of Claudio Spies
|
Claudio Spies
|
Robert Miller, piano;
Jan Opalach, bass;
Johanna Arnold, alto;
Matthew Sullivan, oboe;
Henry Martin, piano;
Andrew May, violin;
Elizabeth McNutt, flute;
Samuel Rhodes, viola;
David Ronis, tenor;
Christine Whittlesey, soprano;
Brian Greene, oboe;
Nathaniel Watson, baritone;
Margaret Kampmeier, piano;
Alan Feinberg, piano;
Claudio Spies, Conductor
|
|
|
work
|
100% |
Five Sonnet Settings
|
Claudio Spies
|
Henry Martin, piano;
Claudio Spies, Conductor;
Jan Opalach, bass;
David Ronis, tenor;
Johanna Arnold, alto;
Christine Whittlesey, soprano
|
|
|
work
|
100% |
An Elizabethan Sextette
|
Milton Babbitt
|
Harvey Sollberger, Conductor;
Barbara Ann Martin, voice;
Martha Rafferty-Page, voice;
Susan Jacquemot, voice;
Johanna Arnold, voice;
Janet Steele, voice;
Nancy Bergman, voice
|
|
|
track
|
100% |
Elizabethan Sextette: V. First Love
|
Milton Babbitt
|
Harvey Sollberger, Conductor;
Barbara Ann Martin;
Martha Rafferty-Page;
Susan Jacquemot;
Johanna Arnold;
Janet Steele;
Nancy Bergman
|
|
|
track
|
100% |
Elizabethan Sextette: VI. Neapolitan
|
Milton Babbitt
|
Harvey Sollberger, Conductor;
Barbara Ann Martin;
Martha Rafferty-Page;
Susan Jacquemot;
Johanna Arnold;
Janet Steele;
Nancy Bergman
|
|
|
track
|
100% |
Animula Vagula, Blandula
|
Claudio Spies
|
Christine Whittlesey, soprano;
David Ronis, tenor;
Johanna Arnold, alto;
Jan Opalach, bass;
Claudio Spies, Conductor
|
|
|
track
|
100% |
Five Sonnet Settings: I - Sonnet XVIII
|
Claudio Spies
|
Jan Opalach, bass;
David Ronis, tenor;
Johanna Arnold, alto;
Henry Martin, piano;
Christine Whittlesey, soprano;
Claudio Spies, Conductor
|
|
|
track
|
100% |
Five Sonnet Settings: II - Sonnet XXVII and Sonnet XXVIII
|
Claudio Spies
|
Claudio Spies, Conductor;
Henry Martin, piano;
Christine Whittlesey, soprano;
Johanna Arnold, alto;
David Ronis, tenor;
Jan Opalach, bass
|
|
|
track
|
100% |
Five Sonnet Settings: III - Sonnet CIV
|
Claudio Spies
|
Claudio Spies, Conductor;
Henry Martin, piano;
Christine Whittlesey, soprano;
Johanna Arnold, alto;
David Ronis, tenor;
Jan Opalach, bass
|
|
|
track
|
100% |
Elizabethan Sextette: I. When I Was Fair And Young
|
Milton Babbitt
|
Nancy Bergman, voice;
Harvey Sollberger, Conductor;
Martha Rafferty-Page, voice;
Janet Steele, voice;
Johanna Arnold, voice;
Barbara Ann Martin, voice;
Susan Jacquemot, voice
|
|
|
track
|
100% |
Five Sonnet Settings: IV - Sonnet XLIII
|
Claudio Spies
|
Claudio Spies, Conductor;
Henry Martin, piano;
Christine Whittlesey, soprano;
Johanna Arnold, alto;
David Ronis, tenor;
Jan Opalach, bass
|
|
|
track
|
100% |
Elizabethan Sextette: II. Out of Sight, Out of Mind
|
Milton Babbitt
|
Harvey Sollberger, Conductor;
Barbara Ann Martin, voice;
Martha Rafferty-Page, voice;
Susan Jacquemot, voice;
Johanna Arnold, voice;
Janet Steele, voice;
Nancy Bergman, voice
|
|
|
track
|
100% |
Elizabethan Sextette: III. Your Face, Your Tongue, Your Wit
|
Milton Babbitt
|
Nancy Bergman, voice;
Harvey Sollberger, Conductor;
Martha Rafferty-Page;
Janet Steele;
Johanna Arnold;
Barbara Ann Martin;
Susan Jacquemot
|
|
|
track
|
100% |
Elizabethan Sextette: IV. Can Doleful Notes To Measured Accents Set
|
Milton Babbitt
|
Harvey Sollberger, Conductor;
Barbara Ann Martin;
Martha Rafferty-Page;
Susan Jacquemot;
Johanna Arnold;
Janet Steele;
Nancy Bergman, voice
|
|
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Arnold, Johanna