Items 1 – 20 of 126 shown.
title |
composer |
artists/ensemble |
play |
A Pretty Girl Is Like a Melody
(theme of Ziegfeld’s Follies of 1919)
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Irving Berlin
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Paragon Ragtime Orchestra; Rick Benjamin, Conductor; Carolyn Chin, violin; Bryony Stroud-Watson, violin; Thomas Rosenthal, viola; Jonathan Dexter, cello; Troy Rinker, bass; Leslie Cullen, flute; Leslie Cullen, piccolo; Vasko Dukovski, clarinet; Paul Murphy, cornet; Michael Blutman, cornet; Mike Lormand, trombone; Taylor Goodson, percussion; Diane Scott, piano |
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A Pretty Girl Is Like a Melody
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Irving Berlin
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John Steele, voice |
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Across The Breakfast Table
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Irving Berlin
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Hit of the Week Orchestra; Bill Coty, voice; Phil Spitalny, Conductor |
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Alexander's Ragtime Band
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Irving Berlin
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Arthur Collins, baritone; Byron G. Harlan, tenor |
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Alexander’s Ragtime Band
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Irving Berlin
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Bernadette Boerckel, soprano; Paragon Ragtime Orchestra; Rick Benjamin, Conductor; Carolyn Chin, violin; Bryony Stroud-Watson, violin; Thomas Rosenthal, viola; Jonathan Dexter, cello; Troy Rinker, bass; Leslie Cullen, flute; Leslie Cullen, piccolo; Vasko Dukovski, clarinet; Paul Murphy, cornet; Michael Blutman, cornet; Mike Lormand, trombone; Taylor Goodson, percussion; Diane Scott, piano |
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All Alone
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Irving Berlin
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Lewis James, voice |
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All by Myself
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Irving Berlin
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Ted Lewis Jazz Band; Ted Lewis, alto saxophone; Walter Kahn, clarinet; Dave Klein, clarinet; Harry Raderman, trombone; Dick Reynolds, piano; John Lucas, drums |
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Always
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Irving Berlin
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Francis Thorne, voice; Francis Thorne, piano; Jack Six, double bass |
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Always
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Irving Berlin
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Henry Burr, tenor |
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Back Home in Tennessee (Introducing: I Love to Stay at Home)
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Walter Donaldson
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Prince's Band |
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Change Partners
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Irving Berlin
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Francis Thorne, voice; Francis Thorne, piano; Jack Six, double bass |
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Cheek to Cheek
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Irving Berlin
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Ginger Rogers, voice; Victor Young's Orchestra; Victor Young, Conductor |
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Cohen Owes Me Ninety-Seven Dollars
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Irving Berlin
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Ilya Levinson, piano; Hank Tausend, percussion; Stewart Figa, baritone; Peter Blagoev, violin; Stewart Miller, bass; New Budapest Orpheum Society |
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Cohen Owes Me Ninety-Seven Dollars
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Irving Berlin
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Stewart Figa, baritone; Stewart Miller, bass; Peter Blagoev, violin; Hank Tausend, percussion; Ilya Levinson, piano; New Budapest Orpheum Society |
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Dance and Grow Thin
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Irving Berlin
|
Gus Van, baritone; Joe Schenck, tenor |
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Everybody Step
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Irving Berlin
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Francis Thorne, voice; Francis Thorne, piano; Jack Six, double bass |
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Everybody’s Doin’ It Now
(turkey trot)
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Irving Berlin
|
Paragon Ragtime Orchestra; Rick Benjamin, Conductor; Carolyn Chin, violin; Bryony Stroud-Watson, violin; Thomas Rosenthal, viola; Jonathan Dexter, cello; Troy Rinker, bass; Leslie Cullen, flute; Leslie Cullen, piccolo; Vasko Dukovski, clarinet; Paul Murphy, cornet; Michael Blutman, cornet; Mike Lormand, trombone; Taylor Goodson, percussion; Diane Scott, piano |
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Everybody’s Doing It Now
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Irving Berlin
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Guido Deiro, accordion |
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Finale to Act II (“Opera Medley”) from Watch Your Step
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Irving Berlin
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Bernadette Boerckel, soprano; Heather Hill, soprano; Daniel Marcus, tenor; Thomas Carle, tenor; Edward Pleasant, baritone; Paragon Ragtime Orchestra; Rick Benjamin, Conductor; Carolyn Chin, violin; Bryony Stroud-Watson, violin; Thomas Rosenthal, viola; Jonathan Dexter, cello; Troy Rinker, bass; Leslie Cullen, flute; Leslie Cullen, piccolo; Vasko Dukovski, clarinet; Paul Murphy, cornet; Michael Blutman, cornet; Mike Lormand, trombone; Taylor Goodson, percussion; Diane Scott, piano |
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For Me and My Gal
Medley - "From Here to Shanghai", "For Me and My Gal"
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George W. Meyer
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The Six Brown Brothers |
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