Items 1 – 17 of 17 shown.
title |
composer |
artists/ensemble |
play |
Another Approach To Rhythms
|
Joel Chadabe
|
Reto Weber, djembe; Jan Williams, cowbell; Joel Chadabe, electronics; Joel Chadabe, woodblocks; Joel Chadabe, bottles; Joel Chadabe, cymbals |
|
Cock Robin
|
Leo Smit
|
Laurence Trott, piccolo; Rachel Lewis, soprano; Jan Williams, percussion |
|
Elusive Lady
(after Stella by Starlight)
|
Joel Chadabe
|
Jan Williams, vibraphone; Bruno Spoerri, saxophone; Joel Chadabe, electronics |
|
Europera 5
|
John Cage
|
Martha Herr, soprano; Gary Burgess, tenor; Yvar Mikhashoff, piano; Jan Williams, turntable, "78rpm"; Don Metz, tape |
|
Lucre Iota
|
boiledjar
|
Louis Hanzlik, trumpet; Jeffrey Luke, trumpet; Brian McWhorter, trumpet; Jon Nelson, trumpet; Hiro Noguchi, trumpet; Wade Weast, trumpet; Gregory Evans, horn; Daniel Grabois, horn; Seth Orgel, horn; Jeffrey Scott, horn; Miles Anderson, trombone; John Faieta, trombone; James Miller, trombone; Stefan Sanders, trombone; John Manning, tuba; Raymond Stewart, tuba; Craig Bitterman, percussion; Anthony Miranda, percussion; Rin Ozaki, percussion; Satoshi Takagi, percussion; Andrew Wendzikowski, percussion; Jan Williams, percussion; Ken Pasciak, percussion; Michael Orland, synthesizer; Magnus Martensson, Conductor; Jon Nelson, Conductor; Erik Ona, Conductor |
|
Many Mornings, Many Moods
(after In A Sentimental Mood)
|
Joel Chadabe
|
Jan Williams, vibraphone; Joel Chadabe, electronics; Jan Williams, marimba; Jan Williams, cowbell; Jan Williams, woodblocks; Jan Williams, bottles |
|
Music for Six
|
Lukas Foss
|
University of Buffalo Percussion Ensemble; Jan Williams, vibraphone; Bruce Penner, marimba; Edward Folger, vibraphone; Rick Kazmierczak, marimba; Kathryn Kayne, electric piano; James Calabrese, synthesizer |
|
Spring
(after It Might As Well Be Spring)
|
Joel Chadabe
|
Jan Williams, congas; Joel Chadabe, electronics |
|
Stay On It
|
Julius Eastman
|
Georgia Mitoff; Petr KotÃk, piano; Benjamin Hudson, violin; Amrom Chodos, clarinet; Joseph Ford, saxophone; Doug Gaston, saxophone; Dennis Kahle, percussion; Jan Williams, percussion |
|
Thirteen Ways of Looking at a Blackbird
|
Lukas Foss
|
RoseMarie Freni, soprano; Jan Williams, percussion; Robert Dick, flute; Yvar Mikhashoff, piano |
|
Touch Of Africa
|
Joel Chadabe
|
Jan Williams, vibraphone; Reto Weber, udu; Bruno Spoerri, saxophone; Joel Chadabe, electronics |
|
Trajet
|
Bernadette Speach
|
Leonard Krech, trombone; Jan Williams, percussion |
|
Two Tuttis: Shredder
|
David Felder
|
Louis Hanzlik, trumpet; Jeffrey Luke, trumpet; Jon Nelson, trumpet; Hiro Noguchi, trumpet; Gregory Evans, horn; Daniel Grabois, horn; Seth Orgel, horn; Jeffrey Scott, horn; Miles Anderson, trombone; John Faieta, trombone; James Miller, trombone; Stefan Sanders, trombone; Raymond Stewart, tuba; Jan Williams, percussion; Michael Orland, synthesizer; Erik Ona, Conductor |
|
Valentine
(after My Funny Valentine)
|
Joel Chadabe
|
Jan Williams, vibraphone; Joel Chadabe, electronics; Jan Williams, marimba |
|
Why Patterns?
|
Morton Feldman
|
Eberhard Blum, flute; Jan Williams, percussion; Morton Feldman, piano |
|
Why Patterns?
|
Morton Feldman
|
Morton Feldman, piano; Eberhard Blum, flute; Jan Williams, percussion |
|
You
(after There'll Never Be Another You)
|
Joel Chadabe
|
Jan Williams, bowed vibraphone; Joel Chadabe, electronics |
|