Items 1 – 20 of 25 shown.
	
		| title | composer | artists/ensemble | play | 
	
		| Antimatter: Transfixtion | Xopher Davidson |  |   | 
	
		| Bifurcators: Gang of Two
			Live Recordings of Ensemble Works for Instruments, Computers, and Other Electronics | Philip Perkins | Philip Perkins, electronic processing; Scott Fraser, electric guitar; Doug Carroll, electric cello; Tim Perkis, synthesizer; Bonnie Barnett, voice; The Bifurcators |   | 
	
		| The Bifurcators: Like a Bird in the Wilderness | Philip Perkins | "Blue" Gene Tyranny, piano |   | 
	
		| Brian Reinbolt: Bathtub Curve | Brian Reinbolt | Brian Reinbolt, synthesizer |   | 
	
		| Brian Reinbolt: It's not that Simple | Brian Reinbolt | Brian Reinbolt, computer |   | 
	
		| Chris Brown: Duets
			Live Interactive Electronic Music Duets | Chris Brown | William Winant, jew's harp; William Winant, kanjira; Chris Brown, electronics; Ikue Mori, drum machine; Tom Nunn, EPB (Electroacoustic Percussion Board); Tom Nunn, Space Plate; Tom Djil, electronic percussion |   | 
	
		| Chris Brown: Snakecharmer | Chris Brown | Chris Brown, piano; Chris Brown, keyboards; Chris Brown, voice; Chris Brown, electronics; William Winant, percussion |   | 
	
		| Circular Firing Squad: Oxide |  | Circular Firing Squad; Eva Baumgartner; Xopher Davidson; David Kwan; Tim Walters; Circular Firing Squad |   | 
	
		| Clay Chaplin: Satellite Stutter | Clay Chaplin | Clay Chaplin, computer; Clay Chaplin, sampled sounds; Clay Chaplin, synthesizer |   | 
	
		| David Mahler: The Voice of the Poet
			Works on Tape 1972-1986 | David Mahler | David Mahler, tape |   | 
	
		| The Hub
			Computer Network Music | Chris Brown | Chris Brown, computer; Mark Trayle, computer; John Bischoff, computer; Tim Perkis, computer; Scot Gresham-Lancaster, computer; Phil Stone, computer |   | 
	
		| The Hub: Wreckin' Ball | Chris Brown | Kenneth Atchley, voice; Alvin Curran, piano; The Rova Saxophone Quartet; The Well (online community); Barbara Golden, voice; Ramon Sender Barayon, voice; The Hub; Chris Brown, computer; John Bischoff, computer; Tim Perkis, computer; Mark Trayle, computer |   | 
	
		| James Tenney: Selected Works 1961-1969 | James Tenney |  |   | 
	
		| Jim Horton: Simulated Winds and Cries | Jim Horton | Jim Horton, computer |   | 
	
		| John Bischoff/Tim Perkis: Artificial Horizon | John Bischoff | John Bischoff, computer; John Bischoff, tape; John Bischoff, electronic processing; Tim Perkis, computer; Tim Perkis, Yamaha Disklavier; Tim Perkis, electronic processing |   | 
	
		| John Bischoff: The Glass Hand | John Bischoff | John Bischoff, computer |   | 
	
		| Larry Polansky: Change | Larry Polansky | Sarah Cahill, piano; Leo Ciesa, drums; Greg Anderson, electric bass; Nick Didkovsky, electric guitar; Larry Polansky, electric guitar; Larry Polansky, computer; Eleanor Wilson, voice; Anna Diamond Polansky, voice; Larry Polansky, Fender-Rhodes piano; Daniel Goode, clarinet; Larry Polansky, tape; Marie Pauline Esguerra, voice; Larry Polansky, kemanak; Larry Polansky, pelog gender; Daniel Goode, kemanak |   | 
	
		| Larry Polansky: Simple Harmonic Motion | Larry Polansky | Ron Erickson, violin; Ron Erickson, viola; Robert Black, bass; Krystyna Bobrowski, French horn; Alyssa Hess Reit, harp |   | 
	
		| Larry Polansky: The Theory of Impossible Melody | Larry Polansky | Jody Diamond, voice; Phil Burk, computer; Larry Polansky, computer; William Winant, marimba; William Winant, percussion; Chris Mann, voice; Larry Pokansky, tape |   | 
	
		| Mark Trayle/ RPM::MHZ | Mark Trayle | Mark Trayle, electronics |   |