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Lost Sounds
Blacks and the Birth of the Recording Industry 1891-1922
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Chas. Hunn
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Unique Quartette; Standard Quartette; Oriole Quartette; Cousins and DeMoss; Sam Cousins; Ed DeMoss; Dinwiddie Colored Quartet; Polk Miller's Old South Quartette; Randall Graves, tenor; Fisk University Jubilee Quartet; John Wesley Work II, tenor; James Andrew Myers, tenor; Alfred Garfield King, bass; Noah Walker Ryder, bass; Apollo Jubilee Quartet; Right Quintette; James W. Loguen, tenor; Clarence Tisdale, tenor; James M. Thomas, baritone; James E. Lightfoot, bass; Leon Adger, piano; Four Harmony Kings; Ivan Browning, tenor; William A. Hann, bass; Charley Case, speaker; George W. Johnson; Louis Vasnier, speaker; Williams and Quinn's Imperial Minstrels Spencer; Len Spencer, speaker; Billy Williams, speaker; Williams and Walker; Bert Williams; George Walker; George W. Johnson, speaker; Bert Williams, baritone; Jack Johnson, speaker; Opal Cooper, tenor; Noble Sissle, tenor; Booker T. Washington, speaker; Thomas Craig, bass; Carroll Clark, baritone; Daisy Tapley, contralto; Roland Hayes, tenor; Harry T. Burleigh, baritone; Edward H.S. Boatner, baritone; Florence Cole-Talbert, soprano; William Leonard King, piano; R. Nathaniel Dett, piano; Clarence Cameron White, violin; Edward Sterling Wright, speaker; Europe's Society Orchestra; Joan Sawyer's Persian Garden Orchestra; Ciro's Club Coon Orchestra; Seth Jones, baritone; Wilbur Sweatman, clarinet; Emerson Trio; Memphis Pickaninny Band; Eubie Blake Trio; Eubie Blake, piano; Blake's Jazzone Orchestra; Wilbur Sweatman's Original Jazz Band; Lieutenant Jim Europe's 369th Infantry "Hell Fighters" Band; Dabney's Band; Handy's Memphis Blues Band |
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