Items 41 – 60 of 1330 shown.
| title |
composer |
artists/ensemble |
play |
|
Arioso and Tarantelle for Cello and Piano
|
Robert Ward
|
Mark Ward, cello; Margo Garrett, piano |
|
|
Armida abbandonata, HWV 105
|
George Frederic Handel
|
Jennifer Griesbach, harpsichord; Melissa Fogarty, soprano; Amelia Roosevelt, violin; Christine Gummere, cello; Claire Jolivet, violin |
|
|
Around Columbia
|
Randall Davidson
|
Capriccio Ensemble; Chouhai Min, violin; Korey Konkol, viola; Mina Fisher, cello |
|
|
Ars Poetica
|
Stacy Garrop
|
Lincoln Trio; David Cunliffe, cello; Marta Aznavorian, piano; Desirée Ruhstrat, violin; Buffy Baggott, mezzo-soprano |
|
|
As In a Dream
|
Chen Yi
|
Madeleine Shapiro, cello; Judith Kellock, soprano; Shem Guibbory, violin |
|
|
The Astronaut's Tale
|
Charles Fussell
|
Gregory Miller, French horn; James Maddelena, baritone; James Bolle, Conductor; Monadnock Festival Ensemble; Astrid Schween, cello; Hugh Hinton, synthesizer; Jack Larson, narrator; Judith Kellock, soprano; William Hite, tenor; Steven Jackson, clarinet; Hugh Hinton, piano; Ole Bohn, violin; Laura Gilbert, flute; Craig McNutt, percussion |
|
|
At Suma Beach
|
Lee Hyla
|
Wendy Richman, viola; Gil Rose, Conductor; Boston Modern Orchestra Project; Mary Nessinger, mezzo-soprano; Gabriela Diaz, violin; Mary Nessinger, mezzo-soprano; Nina Ferrigno, piano; Gary Gorczyca, clarinet; Craig McNutt, percussion; David Russell, cello |
|
|
At the End of the Parade
|
Yehuda Yannay
|
Lawrence Weller, baritone; The Orchestra of Our Time; Lewis Paer, bass; Eric Rosenblith, violin; Eric Rosenblith, viola; Christopher Finckel, cello; David Woodhull, percussion; Jeffrey Kowalsky, percussion; Dwight Peltzer, piano; Dwight Peltzer, harpsichord; Joel Thome, Conductor |
|
|
Attitude Problem
|
David Rakowski
|
Lois Shapiro, piano; Triple Helix; Rhonda Rider, cello; Bayla Keyes, violin |
|
|
Autumn Setting
|
Phillip Rhodes
|
Phyllis Bryn-Julson, soprano; Speculum Musicae String Quartet; Eugene Drucker, violin; Daniel Reed, violin; John Graham, viola; Fred Sherry, cello |
|
|
Autumn Setting
|
Phillip Rhodes
|
Phyllis Bryn-Julson, soprano; Speculum Musicae String Quartet; Eugene Drucker, violin; Daniel Reed, violin; John Graham, viola; Fred Sherry, cello |
|
|
Étude d’un prélude X—Second String Quartet
|
Richard Beaudoin
|
Kreutzer Quartet; Peter Sheppard Skærved, violin; Mihailo Trandafilovski, violin; Morgan Goff, viola; Neil Heyde, cello |
|
|
“El contorno” Variations
|
Milos Raickovich
|
Milos Raickovich, piano; Valeriya Sholokhova, cello |
|
|
Bad Dreams
|
Jonathan Golove
|
Jonathan Golove, cello; Stephen Manes, piano; The Baird Trio; Movses Pogossian, violin |
|
|
Bagatelles, for String Trio and Harmonium, Op. 47
|
Antonín Dvořák
|
Barbara Harbach, harmonium; Charles Castleman, violin; Virginia Lenz, viola; Pamela Frame, cello |
|
|
Barcarole (seven mad gods who rule the sea)
|
Robert Maggio
|
John Koen, cello; Hugh Sung, piano; Scott St. John, violin; Don Liuzzi, percussion; Jennifer Higdon, Conductor |
|
|
Bassoon Concerto
|
Ezra Laderman
|
Isais Zelkowicz, viola; Nancy Goeres, bassoon; Michael Lipman, cello; Sarah Blomquist, violin; Louis Lev, violin |
|
|
Battlegrounds
|
Heather Gilligan
|
Margot Rood, soprano; Apple Hill String Quartet; Elise Kuder, violin; Colleen Jennings, violin; Mike Kelley, viola; Rupert Thompson, cello |
|
|
Be Seeing You
|
Jessica Krash
|
Sunrise Quartet; Claudia Chudacoff, violin; Teri Lazar, violin; Osman Kivrak, viola; Diana Fish, cello; Jessica Krash, piano |
|
|
Beasts
|
Martin Brody
|
Elizabeth Keusch, soprano; Collage New Music; Jessi Rosinski, flute; Peggy Pearson, oboe; Robert Annis, clarinet; Catherine French, violin; Anne Black, viola; Joel Moerschel, cello; James Orleans, bass; Ann Hobson Pilot, harp; Christopher Oldfather, piano; Frank Epstein, percussion; Craig McNutt, percussion; David Hoose, Conductor |
|
Next Page