| type |
score |
title |
composer |
artists/ensemble |
play |
|
album
|
100% |
Speculum Musicae
|
David Sanford
|
Carol Zeavin, violin;
Maureen Gallagher, viola;
David Krakauer, clarinet;
David Carroll, bassoon;
Erik Charlston, bassoon;
Jayn Rosenfeld, flute;
James Baker, percussion;
William Purvis, Conductor;
Susan Palma Nidel, flute;
Michael Willens, double bass;
Speculum Musicae;
Stephen Taylor, oboe;
Donald Palma, Conductor;
William Purvis, French horn;
Aleck Karis, piano;
Donald MacCourt, bassoon;
Christopher Oldfather, piano;
Allen Blustine, clarinet;
Dennis Smylie, clarinets;
Curtis Macomber, violin;
Eric Bartlett, cello;
Morris Rosenzweig, Conductor
|
|
|
album
|
100% |
Morris Rosenzweig
|
Morris Rosenzweig
|
Leonardo Trio;
Carlton Vickers, piccolo;
Carlton Vickers, flute;
Carlton Vickers, alto flute;
Abramyan Quartet;
Canyonlands Ensemble
|
|
|
album
|
100% |
Morris Rosenzweig: Chamber Music 1997-2003
|
Morris Rosenzweig
|
Carlton Vickers, flute;
Canyonlands Ensemble;
John Eckstein, cello;
László Hudacsek, percussion;
Lynette Wardle, harp;
Susan Wenckus, piano;
Jed Moss, piano;
Carlton Vickers, alto flute;
Scott Lewis, viola;
Glenn Webb, percussion;
Gerard Elias, violin;
Markus Stange, piano;
Daniel Buess, percussion
|
|
|
album
|
100% |
Morris Rosenzeig: Cycles
|
Morris Rosenzweig
|
Stephen Gosling, piano;
Lani Poulson, mezzo-soprano;
Susan Wenckus, piano
|
|
|
work
|
100% |
Points and Tales
|
Morris Rosenzweig
|
Stephen Gosling, piano
|
|
|
work
|
100% |
A Certain Round of Events
|
Morris Rosenzweig
|
Lani Poulson, mezzo-soprano;
Susan Wenckus, piano
|
|
|
work
|
100% |
Dialogue in Three Parts
|
Morris Rosenzweig
|
Carlton Vickers, piccolo;
Carlton Vickers, flute;
Carlton Vickers, alto flute
|
|
|
work
|
100% |
On The Wings of Wind
|
Morris Rosenzweig
|
Joseph Onstott, baritone;
Lysa Rytting, harp;
Matthew Johnson, cello;
Jaren Hinckley, bass clarinet;
Jaren Hinckley, clarinet;
Canyonlands Ensemble;
Joseph Evans, violin;
Morris Rosenzweig, Conductor;
Jennifer Larson, soprano
|
|
|
work
|
100% |
Quartet
|
Morris Rosenzweig
|
Gerald Elias, violin;
Lynnette Stewart, violin;
Scott Lewis, viola;
John Eckstein, cello;
Abramyan Quartet
|
|
|
work
|
100% |
What Follows is a Song From the same Fragmented Masque: Ritornello and Aria
|
Morris Rosenzweig
|
Carlton Vickers, flute
|
|
|
track
|
100% |
Points and Tales: V. One Self Eemage
|
Morris Rosenzweig
|
Stephen Gosling, piano
|
|
|
track
|
100% |
Partita Intrecciata for violin and electronics
|
Morris Rosenzweig
|
Gerard Elias, violin
|
|
|
track
|
100% |
Certain Round of Events: VI. A la Signora
|
Morris Rosenzweig
|
Lani Poulson, mezzo-soprano;
Susan Wenckus, piano
|
|
|
track
|
100% |
Angels, Emeralds, and The Towers
|
Morris Rosenzweig
|
Jennie Outram, viola;
Teresa Welch, violin;
Morris Rosenzweig, Conductor;
Thomas Dobson, double bass;
Ian Murdock, trumpet;
Jane Woolley, horn;
Jaren Hinckley, clarinet;
Canyonlands Ensemble;
Carlton Vickers, flute;
Carlton Vickers, piccolo;
Joseph Evans, violin
|
|
|
track
|
100% |
Points and Tales: VI. Canto
|
Morris Rosenzweig
|
Stephen Gosling, piano
|
|
|
track
|
100% |
What Follows is a Song From the same Fragmented Masque: I. With a slightly restless, singing quality – II. Measured with fanciful moments; like a March
|
Morris Rosenzweig
|
Carlton Vickers, flute
|
|
|
track
|
100% |
Certain Round of Events: VII. Winter
|
Morris Rosenzweig
|
Lani Poulson, mezzo-soprano;
Susan Wenckus, piano
|
|
|
track
|
100% |
On The Wings of Wind: Six songs on Hebrew texts - I. Song of Daybreak
|
Morris Rosenzweig
|
Jaren Hinckley, bass clarinet;
Lysa Rytting, harp;
Matthew Johnson, cello;
Jaren Hinckley, clarinet;
Joseph Evans, violin;
Canyonlands Ensemble;
Joseph Onstott, baritone;
Jennifer Larson, soprano;
Morris Rosenzweig, Conductor
|
|
|
track
|
100% |
Points and Tales: VII. Desert Tango
|
Morris Rosenzweig
|
Stephen Gosling, piano
|
|
|
track
|
100% |
What Follows is a Song From the same Fragmented Masque: III. Ritornello and Aria
|
Morris Rosenzweig
|
Carlton Vickers, flute
|
|
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