| type |
score |
title |
composer |
artists/ensemble |
play |
|
album
|
100% |
Speculum Musicae
|
David Sanford
|
Carol Zeavin, violin;
Maureen Gallagher, viola;
David Krakauer, clarinet;
David Carroll, bassoon;
Erik Charlston, bassoon;
Jayn Rosenfeld, flute;
James Baker, percussion;
William Purvis, Conductor;
Susan Palma Nidel, flute;
Michael Willens, double bass;
Speculum Musicae;
Stephen Taylor, oboe;
Donald Palma, Conductor;
William Purvis, French horn;
Aleck Karis, piano;
Donald MacCourt, bassoon;
Christopher Oldfather, piano;
Allen Blustine, clarinet;
Dennis Smylie, clarinets;
Curtis Macomber, violin;
Eric Bartlett, cello;
Morris Rosenzweig, Conductor
|
|
|
album
|
100% |
American Profiles
|
Charles Tomlinson Griffes
|
Susan Rotholz, flute;
Matthew Dine, oboe;
Michael Finn, bassoon;
James Baker, percussion;
Alan R. Kay, clarinet;
Carl Albach, trumpet;
Victoria Eisen, horn;
Lewis Paer, bass;
Paul Hostetter, percussion;
Jeffrey Lang, horn;
Diane Chaplin, violoncello;
Stephen Rogers Radcliffe, Conductor;
David Korevaar, piano;
New York Chamber Ensemble;
Julie Rosenfeld, violin;
Francesca Martin Silos, viola;
Carolyn Davis Fryer, bass
|
|
|
work
|
100% |
Eleven Studies for Eleven Players
|
Ned Rorem
|
New York Chamber Ensemble;
David Korevaar, piano;
Diane Chaplin, violoncello;
Francesca Martin Silos, viola;
Julie Rosenfeld, violin;
James Baker, percussion;
Carl Albach, trumpet;
Matthew Dine, oboe;
Susan Rotholz, flute;
Alan R. Kay, clarinet;
Paul Hostetter, percussion;
Stephen Rogers Radcliffe, Conductor;
(not credited), harp
|
|
|
work
|
100% |
Divertimento
|
Walter Piston
|
New York Chamber Ensemble;
Susan Rotholz, flute;
Diane Chaplin, violoncello;
Francesca Martin Silos, viola;
James Baker, violin;
Michael Finn, bassoon;
Matthew Dine, oboe;
Julie Rosenfeld, violin;
Alan R. Kay, clarinet;
Stephen Rogers Radcliffe, Conductor;
Carolyn Davis Fryer, bass
|
|
|
work
|
100% |
Life in The Castle
|
Barbara White
|
John Whitfield, cello;
Michael Pratt, Conductor;
James Baker, percussion;
Stephen Gosling, piano;
Linda Quan, violin;
Jean Kopperud, clarinet;
New York New Music Ensemble;
Jayn Rosenfeld, flute;
Mary Nessinger, mezzo-soprano
|
|
|
work
|
100% |
Concerto for Piano and Chamber Orchestra No. 2
|
Lee Hyla
|
Susan Palma Nidel, flute;
James Baker, percussion;
Donald MacCourt, contrabassoon;
Carol Zeavin, violin;
Marji Danilow, double bass;
John Moses, clarinet;
Donald MacCourt, bassoon;
Curtis Macomber, violin;
Stewart Rose, French horn;
Tim Smith, bass clarinet;
William Purvis, Conductor;
Speculum Musicae;
Aleck Karis, piano;
Maureen Gallagher, viola;
Eric Bartlett, cello;
Mike Powell, trombone
|
|
|
track
|
100% |
Eleven Studies for Eleven Players: In Memory of My Feelings (ten - 'cello solo)
|
Ned Rorem
|
David Korevaar, piano;
Diane Chaplin, violoncello;
Francesca Martin Silos, viola;
Paul Hostetter, percussion;
James Baker, percussion;
Alan R. Kay, clarinet;
Matthew Dine, oboe;
Susan Rotholz, flute;
Julie Rosenfeld, violin;
Stephen Rogers Radcliffe, Conductor;
New York Chamber Ensemble;
(not credited), harp
|
|
|
track
|
100% |
Life in The Castle: Apparition
|
Barbara White
|
Jean Kopperud, clarinet;
Jayn Rosenfeld, flute;
Linda Quan, violin;
New York New Music Ensemble;
James Baker, percussion;
John Whitfield, cello;
Stephen Gosling, piano;
Michael Pratt, Conductor;
Mary Nessinger, mezzo-soprano
|
|
|
track
|
100% |
Concerto for Piano and Chamber Orchestra No. 2: I.
|
Lee Hyla
|
Tim Smith, bass clarinet;
Susan Palma Nidel, flute;
Stewart Rose, French horn;
Mike Powell, trombone;
Marji Danilow, double bass;
John Moses, clarinet;
Donald MacCourt, contrabassoon;
Carol Zeavin, violin;
William Purvis, Conductor;
Donald MacCourt, bassoon;
Curtis Macomber, violin;
Eric Bartlett, cello;
Maureen Gallagher, viola;
Aleck Karis, piano;
Speculum Musicae;
James Baker, percussion
|
|
|
track
|
100% |
Eleven Studies for Eleven Players: Fugato (eleven)
|
Ned Rorem
|
Stephen Rogers Radcliffe, Conductor;
Carl Albach, trumpet;
Alan R. Kay, clarinet;
James Baker, percussion;
Matthew Dine, oboe;
Susan Rotholz, piccolo;
Paul Hostetter, percussion;
Diane Chaplin, violoncello;
Francesca Martin Silos, viola;
Julie Rosenfeld, violin;
New York Chamber Ensemble;
David Korevaar, piano;
(not credited), harp
|
|
|
track
|
100% |
Life in The Castle: Invisible Woman
|
Barbara White
|
James Baker, percussion;
Stephen Gosling, piano;
John Whitfield, cello;
Jean Kopperud, clarinet;
New York New Music Ensemble;
Linda Quan, violin;
Jayn Rosenfeld, flute;
Mary Nessinger, mezzo-soprano;
Michael Pratt, Conductor
|
|
|
track
|
100% |
Concerto for Piano and Chamber Orchestra No. 2: II.
|
Lee Hyla
|
Susan Palma Nidel, flute;
Mike Powell, trombone;
Marji Danilow, double bass;
John Moses, clarinet;
Donald MacCourt, contrabassoon;
Carol Zeavin, violin;
William Purvis, Conductor;
Donald MacCourt, bassoon;
Curtis Macomber, violin;
Eric Bartlett, cello;
Maureen Gallagher, viola;
Aleck Karis, piano;
Speculum Musicae;
James Baker, percussion;
Stewart Rose, French horn;
Tim Smith, bass clarinet
|
|
|
track
|
100% |
Eleven Studies for Eleven Players: Elegy (eleven - English horn solo)
|
Ned Rorem
|
David Korevaar, piano;
Diane Chaplin, violoncello;
Francesca Martin Silos, viola;
Julie Rosenfeld, violin;
Paul Hostetter, percussion;
James Baker, percussion;
Carl Albach, trumpet;
Matthew Dine, English horn;
Susan Rotholz, flute;
Alan R. Kay, clarinet;
Stephen Rogers Radcliffe, Conductor;
New York Chamber Ensemble;
(not credited), harp
|
|
|
track
|
100% |
Life in The Castle: There is More to a Mirror
|
Barbara White
|
New York New Music Ensemble;
James Baker, percussion;
Jayn Rosenfeld, flute;
Jean Kopperud, clarinet;
John Whitfield, cello;
Stephen Gosling, piano;
Linda Quan, violin;
Mary Nessinger, mezzo-soprano;
Michael Pratt, Conductor
|
|
|
track
|
100% |
Concerto for Piano and Chamber Orchestra No. 2: III.
|
Lee Hyla
|
Susan Palma Nidel, flute;
Marji Danilow, double bass;
John Moses, clarinet;
Donald MacCourt, contrabassoon;
Carol Zeavin, violin;
William Purvis, Conductor;
Donald MacCourt, bassoon;
Curtis Macomber, violin;
Eric Bartlett, cello;
Maureen Gallagher, viola;
Aleck Karis, piano;
Speculum Musicae;
Tim Smith, bass clarinet;
James Baker, percussion;
Stewart Rose, French horn;
Mike Powell, trombone
|
|
|
track
|
100% |
Eleven Studies for Eleven Players: Epilogue (eleven: clarinet solo)
|
Ned Rorem
|
David Korevaar, piano;
Diane Chaplin, violoncello;
Francesca Martin Silos, viola;
Paul Hostetter, percussion;
Carl Albach, trumpet;
Alan R. Kay, clarinet;
Matthew Dine, English horn;
Susan Rotholz, flute;
Julie Rosenfeld, violin;
James Baker, percussion;
Stephen Rogers Radcliffe, Conductor;
New York Chamber Ensemble;
(not credited), harp
|
|
|
track
|
100% |
Life in The Castle: In The Castle
|
Barbara White
|
James Baker, percussion;
Stephen Gosling, piano;
John Whitfield, cello;
Linda Quan, violin;
Jayn Rosenfeld, flute;
New York New Music Ensemble;
Jean Kopperud, clarinet;
Mary Nessinger, mezzo-soprano;
Michael Pratt, Conductor
|
|
|
track
|
100% |
Concerto for Piano and Chamber Orchestra No. 2: IV
|
Lee Hyla
|
Stewart Rose, French horn;
Marji Danilow, double bass;
John Moses, clarinet;
Donald MacCourt, contrabassoon;
Carol Zeavin, violin;
William Purvis, Conductor;
Donald MacCourt, bassoon;
Curtis Macomber, violin;
Eric Bartlett, cello;
Maureen Gallagher, viola;
Aleck Karis, piano;
Speculum Musicae;
Susan Palma Nidel, flute;
James Baker, percussion;
Tim Smith, bass clarinet;
Mike Powell, trombone
|
|
|
track
|
100% |
Eleven Studies for Eleven Players: Prelude (eleven: trumpet solo)
|
Ned Rorem
|
Paul Hostetter, percussion;
James Baker, percussion;
Stephen Rogers Radcliffe, Conductor;
New York Chamber Ensemble;
Diane Chaplin, cello;
David Korevaar, piano;
Francesca Martin Silos, viola;
Julie Rosenfeld, violin;
Alan R. Kay, clarinet;
Carl Albach, trumpet;
Susan Rotholz, flute;
Matthew Dine, oboe;
(not credited), harp
|
|
|
track
|
100% |
Life in The Castle: Mirror
|
Barbara White
|
James Baker, percussion;
Stephen Gosling, piano;
John Whitfield, cello;
Jean Kopperud, clarinet;
New York New Music Ensemble;
Linda Quan, violin;
Jayn Rosenfeld, flute;
Mary Nessinger, mezzo-soprano;
Michael Pratt, Conductor
|
|
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