Album Results

Items 1 – 10 of 10 shown.

Harry T. Burleigh
African-American Composers of the 20th Century

James Reese Europe
Black Manhattan: Theater and Dance Music of James Reese Europe, Will Marion Cook, and Members of the Legendary Clef Club

Traditional
Come Down Angels and Trouble the Water

Harry T. Burleigh
Deep River: Songs and Spirituals of Harry T. Burleigh

William Grant Still
Fi-yer! A Century of African-American Song

Traditional
How Sweet the Sound
albums (10) works (0) tracks (35)
title composer artists/ensemble play
African-American Composers of the 20th Century Harry T. Burleigh Oral Moses, bass-baritone; George Bailey, piano play
Black Manhattan: Theater and Dance Music of James Reese Europe, Will Marion Cook, and Members of the Legendary Clef Club James Reese Europe Awet Andemicael, soprano; Johnson Brothers; Paragon Ragtime Orchestra; Edward Pleasant, baritone play
Come Down Angels and Trouble the Water Traditional Oral Moses, bass-baritone; Rosalyn Floyd, piano; Johnny Brown, flute play
Deep River: Songs and Spirituals of Harry T. Burleigh Harry T. Burleigh Ann Sears, piano; Oral Moses, bass-baritone play
Fi-yer! A Century of African-American Song William Grant Still Ann Sears, piano; William Brown, tenor play
How Sweet the Sound a charm of spirituals Traditional Darryl Taylor, countertenor; Brent McMunn, piano play
Lost Sounds Blacks and the Birth of the Recording Industry 1891-1922 Chas. Hunn Unique Quartette; Standard Quartette; Oriole Quartette; Cousins and DeMoss; Sam Cousins; Ed DeMoss; Dinwiddie Colored Quartet; Polk Miller's Old South Quartette; Randall Graves, tenor; Fisk University Jubilee Quartet; John Wesley Work II, tenor; James Andrew Myers, tenor; Alfred Garfield King, bass; Noah Walker Ryder, bass; Apollo Jubilee Quartet; Right Quintette; James W. Loguen, tenor; Clarence Tisdale, tenor; James M. Thomas, baritone; James E. Lightfoot, bass; Leon Adger, piano; Four Harmony Kings; Ivan Browning, tenor; William A. Hann, bass; Charley Case, speaker; George W. Johnson; Louis Vasnier, speaker; Williams and Quinn's Imperial Minstrels Spencer; Len Spencer, speaker; Billy Williams, speaker; Williams and Walker; Bert Williams; George Walker; George W. Johnson, speaker; Bert Williams, baritone; Jack Johnson, speaker; Opal Cooper, tenor; Noble Sissle, tenor; Booker T. Washington, speaker; Thomas Craig, bass; Carroll Clark, baritone; Daisy Tapley, contralto; Roland Hayes, tenor; Harry T. Burleigh, baritone; Edward H.S. Boatner, baritone; Florence Cole-Talbert, soprano; William Leonard King, piano; R. Nathaniel Dett, piano; Clarence Cameron White, violin; Edward Sterling Wright, speaker; Europe's Society Orchestra; Joan Sawyer's Persian Garden Orchestra; Ciro's Club Coon Orchestra; Seth Jones, baritone; Wilbur Sweatman, clarinet; Emerson Trio; Memphis Pickaninny Band; Eubie Blake Trio; Eubie Blake, piano; Blake's Jazzone Orchestra; Wilbur Sweatman's Original Jazz Band; Lieutenant Jim Europe's 369th Infantry "Hell Fighters" Band; Dabney's Band; Handy's Memphis Blues Band play
Shall We Gather: American Hymns & Spirituals Lowell Mason William Appling Singers; Anon.; William Appling, Conductor play
Symphonic Brotherhood: The Music of African-American Composers Gary Powell Nash Julius P. Williams, Conductor; Bohuslav Martinu Philharmonic Orchestra; Everett McCorvey, tenor play
When I Have Sung My Songs The American Art Song 1900 - 1940 Edward MacDowell Alma Gluck, soprano; Rosario Bourdon, piano; Johanna Gadski, soprano; (not credited), piano; Emma Eames, soprano; Emilio de Gogorza, baritone; John McCormack, tenor; Edwin Schneider, piano; David Bispham, baritone; Roland Hayes, tenor; Lawrence Brown, piano; Marian Anderson, contralto; Kosti Vehanen, piano; Paul Robeson, baritone; Mary Garden, soprano; Jean H. Dansereau, piano; Eleanor Steber, soprano; James Quillian, piano; Rose Bampton, contralto; Wilfred Pelletier, piano; Povla Frijsch, soprano; Celius Dougherty, piano; Kirsten Flagstad, soprano; Edwin McArthur, piano; Radiana Pazmor, soprano; Genevieve Pitot, piano play
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