| score |
title |
composer |
artists/ensemble |
play |
|
100% |
Elliott Carter: Quintets And Voices
|
Elliott Carter
|
Stephen Asbury, Conductor;
William Purvis, horn;
Charles Neidich, clarinet;
Stephen Taylor, oboe;
Jeffrey Milarsky, Conductor;
Andre Solomon-Glover, baritone;
Ensemble Sospeso;
Lucy Shelton, soprano;
Ursula Oppens, piano;
Dov Scheindlin, viola;
Irvine Arditti, violin;
Graeme Jennings, violin;
Arditti String Quartet;
Rohan de Saram, violoncello;
Frank Morelli, bassoon
|
|
|
100% |
Permit Me Voyage
|
Gary Schocker
|
Dennis Helmrich, piano;
Mary Ann Hart, mezzo-soprano
|
|
|
100% |
Sequitur-Concertos
|
David Rakowski
|
Daniel Grabois, horn;
Daniel Panner, viola;
Sequitur;
Sara Laimon, harpsichord;
Steven Beck, piano
|
|
|
100% |
American Music for Viola & Piano
|
George Rochberg
|
Lawrence Wheeler, viola;
Ruth Tomfohrde, piano
|
|
|
100% |
Finnegan's Wake
|
Aaron Copland
|
David Gompper, piano;
Wolfgang David, piano
|
|
|
100% |
Metamorphosen
|
Elliott Carter
|
Jennifer Gilbert;
Jason Horowitz;
Kyu-Young Kim;
Sang Mee Lee;
Jennifer Lucht;
Daniel Panner;
Katie Schlaikjer;
Michael Shih;
Pascale Delache-Feldman;
Matthew Dane;
Brynn Albanese;
Metamorphosen;
Scott Yoo, Conductor;
Sarah Clendenning;
Lisa Suslowicz
|
|
|
100% |
American Piano Works of the 1940s
|
Lukas Foss
|
Sara Laimon, piano
|
|
|
100% |
American Composers Orchestra-Carter/Roussakis/Thorne
|
Elliott Carter
|
Dennis Russell Davies, Conductor;
Paul Dunkel, Conductor;
American Composers Orchestra
|
|
|
100% |
Oppens Plays Carter
|
Elliott Carter
|
Ursula Oppens, piano
|
|
|
100% |
Music of Elliott Carter
|
Elliott Carter
|
Harvey Sollberger, Conductor;
Speculum Musicae;
Robert Stallman, alto flute;
Joseph Passaro, percussion;
Paul Dunkel, Conductor;
Lawrence Benz, bass trombone;
American Composers Orchestra;
Jerry Grossman, cello;
Group for Contemporary Music;
Benjamin Hudson, violin;
Alvin Brehm, contrabass;
Thomas Paul, baritone;
Virgil Blackwell, clarinet;
Virgil Blackwell, bass clarinet;
David Starobin, guitar;
Jan DeGaetani;
John Graham, viola;
Robert Black, piano;
Taylor Steven, English horn
|
|
|
100% |
Americana: Choral Works by Randall Thompson, Elliott Carter, and Seymour Shifrin
|
Elliott Carter
|
Thomas Hilbish, Conductor;
University of Michigan Chamber Choir, voice;
University of Michigan Symphony Orchestra
|
|
|
100% |
Elliott Carter: Orchestral Songs - Complete Choral Music
|
Elliott Carter
|
Mark Suttonsmith, piano;
Gregg Smith Chamber Orchestra;
Jerald Stone, piano;
Edward Green, piano;
Women of the Gregg Smith Singers;
Columbia University Men's Glee Club;
Paul Suits, piano;
Long Island Symphonic Choral Association;
Adirondack Chamber Orchestra;
Gregg Smith, Conductor;
Rosalind Rees, soprano;
Gregg Smith Singers;
Jan Opalach, voice
|
|
|
100% |
Elliott Carter: Piano Concerto/Variations for Orchestra
|
Elliott Carter
|
William Harrod, English horn;
Ursula Oppens, piano;
Marna Street-Ramsey, viola;
Barry Green, bass;
Phillip Ruder, violin;
Cincinnati Symphony Orchestra;
George Hambrecht, flute;
Thomas LeGrand, bass clarinet;
Michael Gielen, Conductor;
John Sharp, cello
|
|
|
100% |
Diary of a Seducer
|
Robert Martin
|
William Anderson, guitar;
Oren Fader, guitar;
Joan Forsyth, piano;
Mark Delpriora, guitar
|
|
|
100% |
Hidden Sparks: Violin Works of Carter, Machover, Melby & Shapey
|
Ralph Shapey
|
Jean-Claude Henriot, piano;
Maryvonne le Dizes-Richard, violin
|
|
|
100% |
20th Century Baroque
|
Manuel de Falla
|
Michaels Bedi, Patrice, soprano;
Larry Combs, clarinet;
David Schrader, harpsichord;
Robert Morgan, oboe;
Barbara Haffner, cello;
Sharon Polifrone, violin;
Rembrandt Chamber Players;
Sandra Morgan, flute
|
|
|
100% |
Songs of Solitude
|
Robert Parris
|
Curtis Macomber, violin
|
|
|
100% |
Carter: Early Chamber Music
|
Elliott Carter
|
Chicago Pro Musica;
John Bruce Yeh, clarinet;
Easley Blackwood, piano;
Richard Graef, flute;
Alex Klein, oboe;
William Buchman, bassoon;
Daniel Gingrich, horn;
Barbara Haffner, cello
|
|
|
100% |
Paul Sperry Sings An American Sampler
|
Ned Rorem
|
Irma Vallecillo, piano;
Paul Sperry, tenor
|
|