| type |
score |
title |
composer |
artists/ensemble |
play |
|
album
|
100% |
Joan Tower: Black Topaz
|
Joan Tower
|
Carol Wincenc, flute;
Deborah Moore, percussion;
Chris Gekker, trumpet;
Jonathan Haas, percussion;
Stephen Gosling, piano;
Mike Powell, trombone;
Nurit Tilles, piano;
Edmund Niemann, piano;
Double Edge;
Peter Zazofsky, violin;
Bayla Keyes, violin;
André Emelianoff, cello;
Sharon Isbin, guitar;
Laura Flax, clarinet;
Patricia Spencer, flute;
Steven Ansell, viola;
Michael Reynolds, cello;
The Muir String Quartet;
Joan Tower, piano
|
|
|
album
|
100% |
David Lang: Are You Experienced?
|
David Lang
|
Lise Bouchard, trumpet;
Alain Trudel, trombone;
Jacques Drouin, piano;
Christine Giguere, cello;
Rene Gosselin, bass;
Gilles Plante, clarinets;
Claude Hamel, violin;
Brian Bacon, viola;
David Lang;
Guy Pelletier, flute;
Jacques Drouin, synthesizer;
Francis Ouellet, horn;
Andre Moisan, clarinets;
Normand Forget, oboe;
Rolf Schulte, violin;
Jay Rozen, electric tuba;
Lorraine Vaillancourt, Conductor;
Double Edge;
Ursula Oppens, piano;
Tim Brady, electric guitar;
Edmund Niemann, piano;
Nurit Tilles, piano;
Michel Bettez, bassoon;
Julien Gregoire, percussion;
Guy Pelletier, piccolo;
Le Nouvel Ensemble Moderne
|
|
|
album
|
100% |
John Cage - Music for Two Pianos - Double Edge
|
John Cage
|
Edmund Niemann, piano;
Nurit Tilles, piano;
Double Edge
|
|
|
album
|
100% |
Lesbian American Composers
|
Eve Beglarian
|
Claudia Anderson, flute;
Jill Ferber, flute;
Lori Ann Phillips, soprano;
Elaine Valby, soprano;
Steven Osgood, Conductor;
Robin Lorentz, violin;
Linda Montano, voice;
Eve Beglarian, percussion;
Nurit Tilles, piano;
Linda Montano, piano;
Pauline Oliveros, voice;
Elizabeth Eshleman, soprano;
Malin Serner, voice;
Lisa Frisari, bowed crotales;
Queen Mab;
Lori Freedman, clarinet;
Marilyn Lerner, piano;
John Piirainen, piano;
Robin Lorentz, "wolf chaser";
Pauline Oliveros, accordion
|
|
|
album
|
100% |
Rub Me The Wrong Way
|
Philip Johnston
|
Phillip Johnston, soprano saxophone;
Joe Ruddick, piano;
Phillip Johnston, tenor saxophone;
Barbara Merjan, drums;
Will Holshouser, accordion;
Nurit Tilles, piano;
Lindsey Horner, bass;
Jonathan Dryden, piano;
Mark Josefsberg, vibraphone;
David Hofstra, bass
|
|
|
work
|
100% |
Three Dances for Two Prepared Pianos
|
John Cage
|
Edmund Niemann, piano;
Nurit Tilles, piano;
Double Edge
|
|
|
work
|
100% |
Orpheus Over and Under
|
David Lang
|
Double Edge;
Edmund Niemann, piano;
Nurit Tilles, piano
|
|
|
work
|
100% |
Minor Repairs Necessary
|
Philip Johnston
|
Phillip Johnston, soprano saxophone;
Mark Josefsberg, vibraphone;
Jonathan Dryden, piano;
Nurit Tilles, piano;
Lindsey Horner, bass
|
|
|
track
|
100% |
De-Certified Highway of Dreams
|
"Blue" Gene Tyranny
|
Edmund Niemann, piano;
Double Edge;
Nurit Tilles, piano
|
|
|
track
|
100% |
Three Dances for Two Prepared Pianos: II
|
John Cage
|
Double Edge;
Nurit Tilles, piano;
Edmund Niemann, piano
|
|
|
track
|
100% |
Ellis Island
|
Meredith Monk
|
Double Edge;
Nurit Tilles, piano;
Edmund Niemann, piano
|
|
|
track
|
100% |
Three Dances for Two Prepared Pianos: III
|
John Cage
|
Edmund Niemann, piano;
Double Edge;
Nurit Tilles, piano
|
|
|
track
|
100% |
Phantom Waltz
|
Meredith Monk
|
Edmund Niemann, piano;
Double Edge;
Nurit Tilles, piano
|
|
|
track
|
100% |
Raw Silk (A Rag)
|
Nurit Tilles
|
Nurit Tilles, piano
|
|
|
track
|
100% |
Minor Repairs Necessary: Birds
|
Philip Johnston
|
Phillip Johnston, soprano saxophone;
Mark Josefsberg, vibraphone;
Nurit Tilles, piano;
Lindsey Horner, bass
|
|
|
track
|
100% |
Tonk
|
Duke Ellington
|
Double Edge;
Nurit Tilles, piano;
Edmund Niemann, piano
|
|
|
track
|
100% |
Stepping Stones
|
Joan Tower
|
Edmund Niemann, piano;
Double Edge;
Nurit Tilles, piano
|
|
|
track
|
100% |
Setting For Two Pianos
|
Mel Powell
|
Edmund Niemann, piano;
Double Edge;
Nurit Tilles, piano
|
|
|
track
|
100% |
Orpheus Over and Under: Aria
|
David Lang
|
Edmund Niemann, piano;
Double Edge;
Nurit Tilles, piano
|
|
|
track
|
100% |
Double Portrait
|
David Borden
|
Edmund Niemann, piano;
Double Edge;
Nurit Tilles, piano
|
|