| type |
score |
title |
composer |
artists/ensemble |
play |
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album
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100% |
Philip Corner: Extreme Positions
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Philip Corner
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Tobias Liebezeit, percussion;
Hilary Jeffery, trombone;
Philip Corner, piano;
James Fulkerson, trombone;
Hilary Jeffery, trombone;
Krijn van Arnhem, contrabassoon;
Michael Visser, viola;
Tobias Liebezeit, percussion;
Boris M. Visser, violin;
Nina Hitz, violoncello;
John Anderson, clarinet;
Rozemarie Heggen, contrabass;
Jos Zwaanenburg, flute;
Dante Oei, piano;
John Anderson, clarinets;
Jos Zwaanenburg, flute;
Dante Oei, piano;
Taylan Susam, Conductor;
Philip Corner, piano;
Manuel Visser, viola;
Rozemarie Heggen, contrabass;
Krijn van Arnhem, bassoon;
James Fulkerson, trombone;
Nina Hitz, cello;
Boris M. Visser, violin;
Barton Workshop;
Krijn van Arnhem, bassoon
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album
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100% |
Morton Feldman Edition, Vol. 5: Voices & Instruments
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Morton Feldman
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Jos Zwaanenburg, flute;
Charles van Tassel, bass-baritone;
Lorenzo Ferrandiz Carrillo, percussion;
Arjan Kappers, clarinet;
Judith van Swaay, cello;
John Anderson, clarinet;
Herman de Boer, clarinet;
Gustavo Gimeno, percussion;
Elisabeth Smalt, viola;
Marieke Keser, violin;
James Fulkerson, trombone;
Barton Workshop;
James Fulkerson, Conductor;
Harmen de Boer, clarinet;
John Anderson, bassoon;
Claron McFadden, soprano;
Krijn van Arnhem, bassoon;
Frank Denyer, piano;
John Addison, cello
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|
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album
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100% |
Christian Wolff: (Re) Making Music- Works 1962-99
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Judith van Swaay
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Elisabeth Smalt, viola;
Alex Geller, cello;
Jos Zwaanenburg, flute;
Charles van Tassel, bass-baritone;
Nicola Walker-Smith, soprano;
James Fulkerson, trombone;
Jos Tieman, double bass;
Frank Denyer, melodica;
James Fulkerson, valve trombone;
John Anderson, clarinet;
Jos Zwaanenburg, Conductor;
Barton Workshop;
John Anderson, bass clarinet;
James Fulkerson, Conductor;
Eleanore Pameijer, flute;
Marieke Keser, violin;
Judith van Swaay, cello;
Tobias Liebezeit, percussion;
Frank Denyer, piano;
Krijn van Arnhem, bassoon
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|
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album
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100% |
Morton Feldman Edition, Vol. 9: Composing By Numbers: Graphic Scores 1950-67
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Morton Feldman
|
Taco Kooistra, violoncello;
Frank Denyer, piano;
Krijn van Arnhem, bassoon;
Jun Okada, viola;
Eduard van Regteren Altena, cello;
Arjan Stroop, tuba;
Philip Corner, piano;
Edwin Wieringa, contrabass;
Alex Geller, cello;
Ann LaBerge, flute;
Heidi Erbrich, violin;
Egbert-Jan Louwerse, flute;
Jos Tieman, contrabass;
Kris Barczewski, cello;
Jos Zwaanenburg, Conductor;
Brigitta Leidelmeijer, flute;
Gertjan Loot, trumpet;
Marieke Keser, violin;
Andries Boelens, oboe;
James Fulkerson, bass trombone;
John Anderson, clarinets;
James Fulkerson, Conductor;
Tobias Liebezeit, percussion;
Jos Zwaanenburg, oscillator;
Taco Kooistra, cello;
James Fulkerson, bass trumpet;
Martin Kaaij, guitar;
Elisabeth Smalt, viola;
Wim Konink, percussion;
Barton Workshop;
Ulrike von Meier, harp;
Hilary Jeffery, trombone;
Reijer Dorresteijn, trumpet;
Jeori de Vente, horn;
Jos Zwaanenburg, flute;
Judith van Swaay, cello
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|
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album
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100% |
Frank Denyer: Faint Traces
|
Frank Denyer
|
Jos Zwaanenburg, flute;
Peter Wadhams, voice;
Anne Kimber, rattle;
Peter Wadhams, reeds;
Nicola Walker-Smith, voice;
Christopher Best, voice;
Tobias Liebezeit, percussion;
Alex Geller, cello;
James Fulkerson, trombone;
John Anderson, clarinet;
Frank Denyer, voice;
James Fulkerson, voice;
John Anderson, clarinets;
Marieke Keser, viola;
Jos Zwaanenburg, bamboo flute;
James Fulkerson, cornet;
Peter Wadhams, rattle;
Marieke Keser, violin;
Catherine Laws, spinet;
Alan Thomas, banjo;
Damien Harron, percussion;
Catherine Laws, harmonium;
Anne Kimber, flute;
Steven Rainbird, rattle;
Mike McInerney, reeds;
Steven Rainbird, autoharp;
Mike McInerney, voice;
Jos Zwaanenburg, rattle;
Mike McInerney, rattle;
Steven Rainbird, voice;
Elisabeth Smalt, viola;
Barton Workshop
|
|
|
album
|
100% |
Alvin Lucier: Wind Shadows
|
Alvin Lucier
|
John Anderson, bass clarinet;
Frank Denyer, piano;
Judith van Swaay, violoncello;
John Anderson, clarinet;
Marieke Keser, violin;
James Fulkerson, trombone;
Jos Tieman, double bass;
Alvin Lucier, oscillator;
Marieke Keser, viola
|
|
|
album
|
100% |
Pure Colors
|
Judith Lang Zaimont
|
Immanuel Davis, flute;
Young-Ah Tak, piano;
Tanya Remenikova, cello;
Nanette Kaplan Solomon, piano;
Jean del Santo, mezzo-soprano;
John Anderson, clarinet;
Wendy Zaro-Mullins, soprano;
Timothy Lovelace, piano
|
|
|
work
|
100% |
From Leaning Forward
|
Judith van Swaay
|
John Anderson, bass clarinet;
Barton Workshop;
John Anderson, clarinet;
Charles van Tassel, bass-baritone;
Nicola Walker-Smith, soprano
|
|
|
work
|
100% |
Exercise(s)
|
Christian Wolff
|
Frank Denyer, piano;
Barton Workshop;
Judith van Swaay, cello;
John Anderson, clarinet;
James Fulkerson, valve trombone
|
|
|
work
|
100% |
When They Pull The Plug
|
Philip Corner
|
Boris M. Visser, violin;
Nina Hitz, violoncello;
John Anderson, clarinet;
Tobias Liebezeit, percussion;
Krijn van Arnhem, bassoon;
Michael Visser, viola;
James Fulkerson, trombone;
Rozemarie Heggen, contrabass;
Barton Workshop;
Krijn van Arnhem, contrabassoon;
Jos Zwaanenburg, flute;
Tobias Liebezeit, percussion
|
|
|
work
|
100% |
Journey To The End Of Night
|
Morton Feldman
|
Jos Zwaanenburg, flute;
Barton Workshop;
James Fulkerson, Conductor;
Harmen de Boer, clarinet;
John Anderson, bassoon;
Claron McFadden, soprano;
Krijn van Arnhem, bassoon
|
|
|
track
|
100% |
Astral…a mirror life on the astral plane
|
Judith Lang Zaimont
|
John Anderson, clarinet
|
|
|
track
|
100% |
Exercise(s): Exercise 18: For 4 Instruments
|
Christian Wolff
|
Barton Workshop;
John Anderson, clarinet;
Judith van Swaay, cello;
James Fulkerson, valve trombone;
Frank Denyer, piano
|
|
|
track
|
100% |
Faint Traces
|
Frank Denyer
|
Jos Zwaanenburg, flute;
John Anderson, clarinet;
Marieke Keser, violin;
Alex Geller, cello;
Tobias Liebezeit, percussion;
Christopher Best, voice;
James Fulkerson, trombone, "offstage";
Barton Workshop
|
|
|
track
|
100% |
From Leaning Forward: A Woman Invented Fire
|
Christian Wolff
|
Barton Workshop;
Nicola Walker-Smith, soprano;
Charles van Tassel, bass-baritone;
John Anderson, clarinet;
John Anderson, bass clarinet
|
|
|
track
|
100% |
When They Pull The Plug: III
|
Philip Corner
|
Rozemarie Heggen, contrabass;
Michael Visser, viola;
Boris M. Visser, violin;
Nina Hitz, violoncello;
James Fulkerson, trombone;
Krijn van Arnhem, contrabassoon;
Krijn van Arnhem, bassoon;
John Anderson, clarinet;
Jos Zwaanenburg, flute;
Barton Workshop;
Tobias Liebezeit, percussion
|
|
|
track
|
100% |
For 5 Or 10 Players: Version For 10 Players
|
Christian Wolff
|
Jos Tieman, double bass;
Judith van Swaay, cello;
Elisabeth Smalt, viola;
Marieke Keser, violin;
Frank Denyer, melodica;
James Fulkerson, trombone;
Krijn van Arnhem, bassoon;
Jos Zwaanenburg, flute;
John Anderson, clarinet;
Barton Workshop;
Tobias Liebezeit, percussion
|
|
|
track
|
100% |
Play
|
Frank Denyer
|
Jos Zwaanenburg, bamboo flute;
John Anderson, clarinet;
Marieke Keser, violin;
Barton Workshop
|
|
|
track
|
100% |
From Leaning Forward: Drowning
|
Christian Wolff
|
Barton Workshop;
Nicola Walker-Smith, soprano;
Charles van Tassel, bass-baritone;
John Anderson, clarinet;
John Anderson, bass clarinet
|
|
|
track
|
100% |
Chopin Prelude I: The V9 Chord Which Begins The Chopin D Major Prelude As A Relevation
|
Philip Corner
|
Barton Workshop;
Tobias Liebezeit, percussion;
Rozemarie Heggen, contrabass;
Michael Visser, viola;
Boris M. Visser, violin;
Nina Hitz, violoncello;
James Fulkerson, trombone;
Krijn van Arnhem, contrabassoon;
Krijn van Arnhem, bassoon;
John Anderson, clarinet;
Jos Zwaanenburg, flute;
Dante Oei, piano
|
|
Next Page
Anderson, John