| type |
score |
title |
composer |
artists/ensemble |
play |
|
album
|
100% |
Music of Ursula Mamlok
|
Ursula Mamlok
|
Cassatt String Quartet;
Seattle Symphony Orchestra;
Gerard Schwarz, Conductor;
Parnassus;
Anthony Korf, Conductor;
Jubal Trio
|
|
|
album
|
100% |
Chamber Works of Ursula Mamlok
|
Ursula Mamlok
|
Fred Sherry, cello;
Christopher Finckel, cello;
Benjamin Hudson, violin;
Samuel Baron, flute;
Aleck Karis, piano;
Anthony Korf, Conductor;
Parnassus;
Phyllis Bryn-Julson, soprano;
Harvey Sollberger, flute;
Da Capo Chamber Players
|
|
|
album
|
100% |
Milton Babbitt: Concerto for Piano and Orchestra/The Head of the Bed
|
Milton Babbitt
|
Charles Wuorinen, Conductor;
Parnassus;
Christopher Finckel, cello;
Cyrus Stevens, violin;
Keith Underwood, flute;
Anthony Korf, Conductor;
Judith Bettina, soprano;
Alan Feinberg, piano;
Anand Devendra, clarinet;
American Composers Orchestra
|
|
|
album
|
100% |
Charles Wuorinen: The Winds
|
Charles Wuorinen
|
Dennis Smylie, clarinet;
Dennis Smylie, bass clarinet;
Keith Underwood, piccolo;
Cyrus Stevens, violin;
Rie Schmidt, flute;
Stephen Hart, clarinet;
Steven Dibner, bassoon;
David Braynard, tuba;
Judy Geist, viola;
Christopher Finckel, violoncello;
Parnassus;
Glen Velez, percussion;
Dennis Smylie, contrabass clarinet;
David Wakefield, horn;
Charles Wuorinen, piano;
Carol Zeavin, violin;
Paul Zukofsky, violin;
Edmund Niemann, piano;
Donald Palma, contrabass;
Gordon Gottlieb, timpani;
Susan Jolles, harp;
Donald MacCourt, bassoon;
Anthony Korf, Conductor;
Ronald Borror, trumpet;
Gerard Reuter, oboe;
James Preiss, percussion;
Ray Mase, trumpet
|
|
|
album
|
100% |
Davidovsky/Korf/Wright: Orchestral Works
|
Anthony Korf
|
Riverside Symphony;
George Rothman, Conductor;
Fred Sherry, cello
|
|
|
album
|
100% |
Andrew Imbrie: Dream Sequence
|
Andrew Imbrie
|
James Preiss, percussion;
Alan Kay, clarinet;
Keith Underwood, flute;
Cyrus Stevens, violin;
Christopher Finckel, cello;
Edmund Niemann, piano;
Barbara Allen, harp;
Sarah Adams, viola;
Alan Kay, bass clarinet;
Parnassus;
Martin Goldray, piano;
Matthew Dine, oboe;
Anthony Korf, Conductor;
Susan Narucki, soprano;
Joan Peterson Krause, soprano;
Nancy Wertsch, alto;
Mark Bleeke, tenor;
Nathaniel Watson, baritone;
Matthew Dine, English horn
|
|
|
album
|
100% |
Leonardo Balada: Torquemada and Other Works
|
Leonardo Balada
|
Carnegie Mellon Contemporary Ensemble;
Robert Fire, bass;
Anthony di Bonaventura, piano;
American Brass Quintet;
Carnegie Mellon Concert Choir;
Dorian Woodwind Quintet;
Carnegie Mellon Concert Winds;
Harry Franklin, piano;
Anthony Korf, Conductor;
Richard Strange, Conductor;
Robert Page, Conductor;
Dillon McCartney, tenor;
Camille Kowash, soprano;
Stephen Totter, baritone;
Dominic Rossi, countertenor
|
|
|
work
|
100% |
Polarities for flute, violin, cello and piano
|
Ursula Mamlok
|
Anthony Korf, Conductor;
Parnassus;
Cyrus Stevens, violin;
Keith Underwood, flute;
Christopher Finckel, cello;
Christopher Oldfather, piano
|
|
|
work
|
100% |
Campion Songs
|
Andrew Imbrie
|
Anthony Korf, Conductor;
Parnassus;
Joan Peterson Krause, soprano;
Nathaniel Watson, baritone;
Nancy Wertsch, alto;
Mark Bleeke, tenor
|
|
|
work
|
100% |
Dream Sequence
|
Andrew Imbrie
|
Edmund Niemann, piano;
Matthew Dine, English horn;
Parnassus;
Christopher Finckel, cello;
Sarah Adams, viola;
Cyrus Stevens, violin;
Alan Kay, bass clarinet;
Alan Kay, clarinet;
Keith Underwood, flute;
James Preiss, percussion;
Anthony Korf, Conductor;
Matthew Dine, oboe
|
|
|
work
|
100% |
Symphony No. 2 (Blue Note)
|
Anthony Korf
|
Riverside Symphony;
George Rothman, Conductor
|
|
|
track
|
100% |
Girasol for flute, clarinet, violin, viola, cello, and piano
|
Ursula Mamlok
|
Sarah Adams, viola;
Cyrus Stevens, violin;
Alan Kay, clarinet;
Christopher Finckel, cello;
Keith Underwood, flute;
Christopher Oldfather, piano;
Parnassus;
Anthony Korf, Conductor
|
|
|
track
|
100% |
Head of The Bed
|
Milton Babbitt
|
Judith Bettina, soprano;
Anthony Korf, Conductor;
Keith Underwood, flute;
Cyrus Stevens, violin;
Christopher Finckel, cello;
Parnassus;
Anand Devendra, clarinet
|
|
|
track
|
100% |
Polarities for flute, violin, cello and piano: I - In High Spirits
|
Ursula Mamlok
|
Christopher Oldfather, piano;
Cyrus Stevens, violin;
Keith Underwood, flute;
Christopher Finckel, cello;
Parnassus;
Anthony Korf, Conductor
|
|
|
track
|
100% |
Symphony No. 2 (Blue Note): Blue
|
Anthony Korf
|
Riverside Symphony;
George Rothman, Conductor
|
|
|
track
|
100% |
Polarities for flute, violin, cello and piano: II - Still
|
Ursula Mamlok
|
Christopher Oldfather, piano;
Keith Underwood, flute;
Christopher Finckel, cello;
Cyrus Stevens, violin;
Parnassus;
Anthony Korf, Conductor
|
|
|
track
|
100% |
Symphony No. 2 (Blue Note): Solitary Waltz
|
Anthony Korf
|
Riverside Symphony;
George Rothman, Conductor
|
|
|
track
|
100% |
Polarities for flute, violin, cello and piano: III - Playful
|
Ursula Mamlok
|
Christopher Oldfather, piano;
Cyrus Stevens, violin;
Christopher Finckel, cello;
Keith Underwood, flute;
Parnassus;
Anthony Korf, Conductor
|
|
|
track
|
100% |
Symphony No. 2 (Blue Note): Springing Eternal
|
Anthony Korf
|
Riverside Symphony;
George Rothman, Conductor
|
|
|
track
|
100% |
Sextet
|
Ursula Mamlok
|
Keith Underwood, flute;
Edmund Niemann, piano;
Parnassus;
Anthony Korf, Conductor;
Dennis Smylie, bass clarinet;
Robert Yamins, clarinet;
Cyrus Stevens, violin;
Donald Palma, bass
|
|
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Korf, Anthony